Add to ORKGThe guest editor of this theme issue on Patricia Highsmith provides an overview of the contents, which features analyses of Highsmith’s works and their adaptations for film such as 'Strangers on a Train' and 'The Talented Mr. Ripley'
The ‘golden age’ of clue-puzzle detective fiction is usually considered to end in 1939 with the outb...
This introduction provides a context for the transcript of the panel discussion on The Faction’s pro...
Patricia Highsmith’s writing invites and yet defies taxonomies. In addition to suspense thriller and...
This essay explores Highsmith’s critique of the American suburbs in the novels of the 1950s and earl...
This thesis analyzes a selection of texts by the 'crime fiction' writer Patricia Highsmith. They hav...
University of Technology Sydney. Faculty of Arts and Social Sciences.Patricia Highsmith died in 1995...
Typically pegged as an author of suspense fiction or crime writing, this dissertation argues that en...
In the growing interest of Alfred Hitchcock adaptations, this article discusses not necessarily why ...
Despite her continued popularity with both filmmakers and academics, the importance of social class ...
Ladies and gentlemen, the story you are about to see is true. The names have been changed to protect...
In Plotting and Writing Suspense Fiction (1966), Patricia Highsmith’s “how-to” book (and a work of ...
This issue is the second to be focused on a single figure. Our inaugural issue published in 2018 was...
Sylvia Ashton-Warner had an intensely ambivalent relationship with the land of her birth. Despite re...
In this article, I examine Australian crime writer Kerry Greenwood's first 15 novels in the Phryne F...
Published in a time when tragedy was pervasive in gay literature, Patricia Highsmith’s 1952 novel Th...
The ‘golden age’ of clue-puzzle detective fiction is usually considered to end in 1939 with the outb...
This introduction provides a context for the transcript of the panel discussion on The Faction’s pro...
Patricia Highsmith’s writing invites and yet defies taxonomies. In addition to suspense thriller and...
This essay explores Highsmith’s critique of the American suburbs in the novels of the 1950s and earl...
This thesis analyzes a selection of texts by the 'crime fiction' writer Patricia Highsmith. They hav...
University of Technology Sydney. Faculty of Arts and Social Sciences.Patricia Highsmith died in 1995...
Typically pegged as an author of suspense fiction or crime writing, this dissertation argues that en...
In the growing interest of Alfred Hitchcock adaptations, this article discusses not necessarily why ...
Despite her continued popularity with both filmmakers and academics, the importance of social class ...
Ladies and gentlemen, the story you are about to see is true. The names have been changed to protect...
In Plotting and Writing Suspense Fiction (1966), Patricia Highsmith’s “how-to” book (and a work of ...
This issue is the second to be focused on a single figure. Our inaugural issue published in 2018 was...
Sylvia Ashton-Warner had an intensely ambivalent relationship with the land of her birth. Despite re...
In this article, I examine Australian crime writer Kerry Greenwood's first 15 novels in the Phryne F...
Published in a time when tragedy was pervasive in gay literature, Patricia Highsmith’s 1952 novel Th...
The ‘golden age’ of clue-puzzle detective fiction is usually considered to end in 1939 with the outb...
This introduction provides a context for the transcript of the panel discussion on The Faction’s pro...
Patricia Highsmith’s writing invites and yet defies taxonomies. In addition to suspense thriller and...