The beginning of Shakespeare's 2 Henry IV takes the form of an address to the audience, as a single figure enters the stage and speaks a choric prologue directly to the auditorium. The performance technique that is enacted here is familiar enough from many other plays in the period, especially those that deal with history. However, this one is not content simply with raising the issue of the representation of prior historical events. It goes a stage further, playing with the inevitability of such events being misconstrued
This thesis uses the joint approaches of theatre research and musicology to reveal the overlooked so...
“Sources, Scholarship, and Sense: Shakespeare’s Use of Holinshed in Macbeth,” , (2003) This presen...
In this paper, Leahy argues that Shakespeare’s portrayal of Anne Boleyn in King Henry VIII has trad...
The beginning of Shakespeare's 2 Henry IV takes the form of an address to the audience, as a single ...
This updated edition offers a strongly theatrical perspective on the origins of Shakespeare's First ...
International audienceI The status of the play In theory the theatre is not concerned by remakes. Pl...
In this article, Loughnane uses two key lines from the opening scene of Webster’s The Duchess of Mal...
In the period from the opening of the first public theatre in London in 1576, until the death of Sha...
There is no one, true definitive version of Shakespeareʼs plays. Shakespeare wrote his work to be pe...
William Shakespeare’s three Henry VI plays are often perceived as solely being about the Wars of the...
This thesis examines the way dramaturgical techniques in Shakespeare's late plays are used to create...
This presentation presents a critical overview and assessment of the pedagogical and critical treatm...
There are two movie versions of Shakespeare\u27s Henry V in this century: one is Laurence 0livier\u2...
Abstract - Recent studies in historical pragmatics have focused on the performative language of Rena...
This study explores, in a sixteenth century context, the historical thought and consciousness of a s...
This thesis uses the joint approaches of theatre research and musicology to reveal the overlooked so...
“Sources, Scholarship, and Sense: Shakespeare’s Use of Holinshed in Macbeth,” , (2003) This presen...
In this paper, Leahy argues that Shakespeare’s portrayal of Anne Boleyn in King Henry VIII has trad...
The beginning of Shakespeare's 2 Henry IV takes the form of an address to the audience, as a single ...
This updated edition offers a strongly theatrical perspective on the origins of Shakespeare's First ...
International audienceI The status of the play In theory the theatre is not concerned by remakes. Pl...
In this article, Loughnane uses two key lines from the opening scene of Webster’s The Duchess of Mal...
In the period from the opening of the first public theatre in London in 1576, until the death of Sha...
There is no one, true definitive version of Shakespeareʼs plays. Shakespeare wrote his work to be pe...
William Shakespeare’s three Henry VI plays are often perceived as solely being about the Wars of the...
This thesis examines the way dramaturgical techniques in Shakespeare's late plays are used to create...
This presentation presents a critical overview and assessment of the pedagogical and critical treatm...
There are two movie versions of Shakespeare\u27s Henry V in this century: one is Laurence 0livier\u2...
Abstract - Recent studies in historical pragmatics have focused on the performative language of Rena...
This study explores, in a sixteenth century context, the historical thought and consciousness of a s...
This thesis uses the joint approaches of theatre research and musicology to reveal the overlooked so...
“Sources, Scholarship, and Sense: Shakespeare’s Use of Holinshed in Macbeth,” , (2003) This presen...
In this paper, Leahy argues that Shakespeare’s portrayal of Anne Boleyn in King Henry VIII has trad...