This research aimed to identify, describe and categorize cognitive strategies related to sight-singing within aural skills education. Using a constant comparative method, we carried out a thematic content analysis using NVivo to categorize strategies in a broad range of sources, including six interviews, five scientific publications, two professional books, and two ear-training manuals. Findings revealed 72 cognitive strategies grouped into four main categories and 14 subcategories: reading mechanisms (pitch decoding, pattern building, validation), sight-singing (preparation, performance), reading skills acquisition (musical vocabulary enrichment, symbolic associations, internalization, rehearsal techniques) and learning support (self-regul...
Rhythm is one of the most fundamental and important elements of musical performance, but many schola...
Access to thesis permanently restricted to Ball State community only.The overall goal of this projec...
The purpose of this study was to analyze and understand experienced choral directors' perceptions an...
Students’ strategy use is an assessment of their ability to assimilate, synthesize, and actualize kn...
This research investigates the main strategic approaches used by students for learning sightsinging ...
Sight-singing is challenging for many music students, yet they can experience various difficulties w...
This study was designed to investigate professional choral singers’ training, perceptions on the im...
The purpose of this study was to determine if there was a significantdifference in students' individ...
The purpose of this descriptive quantitative research study was to investigate the relationship betw...
Developing the music cognition competencies of both singers and instrumentalists is one of the goals...
There are a variety of opinions among high school choral music educators concerning the most success...
The purpose of this dissertation is to examine the cues and miscues singers produce while reading mu...
The purpose of this article is to discuss learning strategies in ear training, and the aim is to exp...
The survey reported here was originally created for the book Building Choral Excellence: Teaching Si...
279 p.Thesis (Ed.D.)--University of Illinois at Urbana-Champaign, 1988.In this ex post facto investi...
Rhythm is one of the most fundamental and important elements of musical performance, but many schola...
Access to thesis permanently restricted to Ball State community only.The overall goal of this projec...
The purpose of this study was to analyze and understand experienced choral directors' perceptions an...
Students’ strategy use is an assessment of their ability to assimilate, synthesize, and actualize kn...
This research investigates the main strategic approaches used by students for learning sightsinging ...
Sight-singing is challenging for many music students, yet they can experience various difficulties w...
This study was designed to investigate professional choral singers’ training, perceptions on the im...
The purpose of this study was to determine if there was a significantdifference in students' individ...
The purpose of this descriptive quantitative research study was to investigate the relationship betw...
Developing the music cognition competencies of both singers and instrumentalists is one of the goals...
There are a variety of opinions among high school choral music educators concerning the most success...
The purpose of this dissertation is to examine the cues and miscues singers produce while reading mu...
The purpose of this article is to discuss learning strategies in ear training, and the aim is to exp...
The survey reported here was originally created for the book Building Choral Excellence: Teaching Si...
279 p.Thesis (Ed.D.)--University of Illinois at Urbana-Champaign, 1988.In this ex post facto investi...
Rhythm is one of the most fundamental and important elements of musical performance, but many schola...
Access to thesis permanently restricted to Ball State community only.The overall goal of this projec...
The purpose of this study was to analyze and understand experienced choral directors' perceptions an...