In the article, the author analyses the impact of the tragic experiences during the Holocaust on contemporary ethics and literature. Such considerations coincide with yet another anniversary – the liberation of the Auschwitz concentration camp, celebrated globally as Holocaust Memorial Day. The article also considers the reasons why testimonies from Holocaust survivors have not had an adequate impact on society. The author argues that trivialisation of the Holocaust tragedy occurred in modern science and it is related to the fact that traditional ethics has not been able to convincingly explain why the Holocaust occurred in the most civilised nations. Thus, Holocaust testimonies should be constantly popularised in society for the good of al...
This article considers representations of Jewish “culpability” during the Holocaust. Despite the und...
This article considers why institutionalized commemoration of the Holocaust in the United Kingdom de...
In his 1951 essay on Auschwitz, “Cultural Criticism and Society,” Theodor Adorno wrote: “To write po...
Genocide, particularly the Holocaust, remains a huge question to anyone who seriously considers and ...
This article draws on the well-known assumption in Trauma and Holocaust Studies that the representat...
It has taken many decades after 1945 for the testimony of Holocaust victims to be taken seriously. T...
The Shoah, postmodernism, the canon and popular culture In the article the author asks a qu...
Gavriel D. Rosenfeld is a contributing author, Deconstructivism and the Holocaust: On the Origins a...
As living memories of the Holocaust die out with the generation that witnessed the event, practition...
Holocaust literature is an artistic expression, which in many ways sits outside the established unde...
The article discusses a special kind of narrative about the catastrophe, treated as a specific genre...
This essay considers taboos that have developed in and around Holocaust literature, focusing on cont...
In itself the Holocaust was an event of such enormity that it defies normal comprehension. Whatever ...
Concentrating on the work of Nazi camp survivors Charlotte Delbo and Jorge Semprun, this dissertatio...
This article considers representations of Jewish “culpability” during the Holocaust. Despite the und...
This article considers representations of Jewish “culpability” during the Holocaust. Despite the und...
This article considers why institutionalized commemoration of the Holocaust in the United Kingdom de...
In his 1951 essay on Auschwitz, “Cultural Criticism and Society,” Theodor Adorno wrote: “To write po...
Genocide, particularly the Holocaust, remains a huge question to anyone who seriously considers and ...
This article draws on the well-known assumption in Trauma and Holocaust Studies that the representat...
It has taken many decades after 1945 for the testimony of Holocaust victims to be taken seriously. T...
The Shoah, postmodernism, the canon and popular culture In the article the author asks a qu...
Gavriel D. Rosenfeld is a contributing author, Deconstructivism and the Holocaust: On the Origins a...
As living memories of the Holocaust die out with the generation that witnessed the event, practition...
Holocaust literature is an artistic expression, which in many ways sits outside the established unde...
The article discusses a special kind of narrative about the catastrophe, treated as a specific genre...
This essay considers taboos that have developed in and around Holocaust literature, focusing on cont...
In itself the Holocaust was an event of such enormity that it defies normal comprehension. Whatever ...
Concentrating on the work of Nazi camp survivors Charlotte Delbo and Jorge Semprun, this dissertatio...
This article considers representations of Jewish “culpability” during the Holocaust. Despite the und...
This article considers representations of Jewish “culpability” during the Holocaust. Despite the und...
This article considers why institutionalized commemoration of the Holocaust in the United Kingdom de...
In his 1951 essay on Auschwitz, “Cultural Criticism and Society,” Theodor Adorno wrote: “To write po...