This paper places the legal terminology used in Ovid’s narration of the Tiresias myth (Metamorphoses 3.316-88) in its appropriate lexical and historical contexts, arguing that the story of Tiresias depicts significant changes to the legal system under Augustus, specifically the professionalization of law under the jurists and the regulation of private affairs by Augustus’ moral legislation. Ovid’s use of legal language must be interpreted as something more than ‘atmospheric effects’, and I show that the story, as the centerpiece of the third book, directly connects the intrusion of the public realm into the private realm to legal precepts and concepts of authority
Despite the prevailing interest in authority in Ovidian studies, studies have often focussed on Ovid...
Ovid’s engagement with legal discourse is a version of the elegiac recusatio, a simultaneous approp...
ABSTRACT: We chose as a research topic for our study one of the most important components of society...
The focus of this article is on Ovid the jurist. In order to establish a necessary context, Ovid the...
This paper investigates appeals to law in Euripides’ Medea, dramatic elements which seem to point to...
The brief story of Tiresias’ punishment in the third book of Ovid's Metamorphoses (Met. 3.316–38) be...
According to Horace, Orpheus and Amphion were the first legislators. They forbade casual sex, gave r...
Ovid’s brief Tiresias episode in the third book of his Metamorphoses (Met. 3.316-38) represents one ...
My thesis investigates how Ovid’s treatment of juridical language and content fits into the socio-cu...
Augustus was faced with a society and state which was, as he felt it, crumbling from dissipating mor...
This paper investigates appeals to law in Euripides’ Medea, dramatic elements which seem to point to...
The anonymous French Ovide moralisé is the first full translation of Ovid’s Metamorphoses, covering ...
Later historians, such as Tacitus, Suetonius and Cassius Dio, have dominated interpretations of even...
Abstract: Ovid’s Ars Amatoria (The Art of Love) consists of three books. The first teaches the young...
The prophet Tiresias was a well-known figure in archaic Greek myth and fifth-century Attic dramas wh...
Despite the prevailing interest in authority in Ovidian studies, studies have often focussed on Ovid...
Ovid’s engagement with legal discourse is a version of the elegiac recusatio, a simultaneous approp...
ABSTRACT: We chose as a research topic for our study one of the most important components of society...
The focus of this article is on Ovid the jurist. In order to establish a necessary context, Ovid the...
This paper investigates appeals to law in Euripides’ Medea, dramatic elements which seem to point to...
The brief story of Tiresias’ punishment in the third book of Ovid's Metamorphoses (Met. 3.316–38) be...
According to Horace, Orpheus and Amphion were the first legislators. They forbade casual sex, gave r...
Ovid’s brief Tiresias episode in the third book of his Metamorphoses (Met. 3.316-38) represents one ...
My thesis investigates how Ovid’s treatment of juridical language and content fits into the socio-cu...
Augustus was faced with a society and state which was, as he felt it, crumbling from dissipating mor...
This paper investigates appeals to law in Euripides’ Medea, dramatic elements which seem to point to...
The anonymous French Ovide moralisé is the first full translation of Ovid’s Metamorphoses, covering ...
Later historians, such as Tacitus, Suetonius and Cassius Dio, have dominated interpretations of even...
Abstract: Ovid’s Ars Amatoria (The Art of Love) consists of three books. The first teaches the young...
The prophet Tiresias was a well-known figure in archaic Greek myth and fifth-century Attic dramas wh...
Despite the prevailing interest in authority in Ovidian studies, studies have often focussed on Ovid...
Ovid’s engagement with legal discourse is a version of the elegiac recusatio, a simultaneous approp...
ABSTRACT: We chose as a research topic for our study one of the most important components of society...