The Upper Palaeolithic is characterised by the appearance of iconographic expressions most often depicting animals, including anthropomorphic forms, and geometric signs. The Late Upper Palaeolithic Magdalenian saw a flourishing of such depictions, encompassing cave art, engraving of stone, bone and antler blanks and decoration of tools and weapons. Though Magdalenian settlement exists as far northwest as Britain, there is a limited range of art known from this region, possibly associated with only fleeting occupation of Britain during this period. Stone plaquettes, flat fragments of stone engraved on at least one surface, have been found in large quantities at numerous sites spanning the temporal and geographical spread of the Magdalenian, ...
Cut-marked and broken human bones are a recurrent feature of Magdalenian (~17–12,000 years BP, uncal...
Cut-marked and broken human bones are a recurrent feature of Magdalenian (~17-12,000 years BP, uncal...
The Magdalenian stage of the Upper Palaeolithic is renowned for its ‘art’, both in the form of porta...
The Upper Palaeolithic is characterised by the appearance of iconographic expressions most often dep...
The Upper Palaeolithic is characterised by the appearance of iconographic expressions most often dep...
The Upper Palaeolithic is characterised by the appearance of iconographic expressions most often dep...
Unpublished Magdalenian art from Pont d'Ambon (Bourdeilles, Dordogne, France). A systematic and meth...
The Magdalenian site of Courbet cave in the Aveyron valley is renowned for a significant contributio...
The development of the Azilian in Western Europe 14,000 years ago is considered a "revolution" in Up...
International audienceThe development of the Azilian in Western Europe 14,000 years ago is considere...
International audienceThe development of the Azilian in Western Europe 14,000 years ago is considere...
The discovery of an engraved stone on the open-air Magdalenian site of Étiolles (Essonne) is an exce...
From sites such as Lascaux, Chauvet and Cosquer in the south of France (Perigord, Ardèche and ouches...
Cut-marked and broken human bones are a recurrent feature of Magdalenian (~17–12,000 years BP, uncal...
Cut-marked and broken human bones are a recurrent feature of Magdalenian (~17-12,000 years BP, uncal...
The Magdalenian stage of the Upper Palaeolithic is renowned for its ‘art’, both in the form of porta...
The Upper Palaeolithic is characterised by the appearance of iconographic expressions most often dep...
The Upper Palaeolithic is characterised by the appearance of iconographic expressions most often dep...
The Upper Palaeolithic is characterised by the appearance of iconographic expressions most often dep...
Unpublished Magdalenian art from Pont d'Ambon (Bourdeilles, Dordogne, France). A systematic and meth...
The Magdalenian site of Courbet cave in the Aveyron valley is renowned for a significant contributio...
The development of the Azilian in Western Europe 14,000 years ago is considered a "revolution" in Up...
International audienceThe development of the Azilian in Western Europe 14,000 years ago is considere...
International audienceThe development of the Azilian in Western Europe 14,000 years ago is considere...
The discovery of an engraved stone on the open-air Magdalenian site of Étiolles (Essonne) is an exce...
From sites such as Lascaux, Chauvet and Cosquer in the south of France (Perigord, Ardèche and ouches...
Cut-marked and broken human bones are a recurrent feature of Magdalenian (~17–12,000 years BP, uncal...
Cut-marked and broken human bones are a recurrent feature of Magdalenian (~17-12,000 years BP, uncal...
The Magdalenian stage of the Upper Palaeolithic is renowned for its ‘art’, both in the form of porta...