The Irish National Theatre Society began its centenary in 2004 with ambitious theatrical events at home and abroad. By the end of the year, however, the company was close to financial ruin, culminating in its dissolution and subsequent reestablishment. The financial crisis was only one element of controversy during the centenary year. During this period, the remit of the Abbey Theatre as a house for the performance of Irish identity and new Irish writing was brought into question. While debates unfolded over the artistic and financial crises, many commentators queried the very nature of, or need for, a national theatre in twenty-first-century Ireland. Examining organizational issues such as finance and public policy, as well as wider questi...
Commemoration is part of what defines nations and their configurations; the considerable investment ...
This dissertation examines the intersection of theatre and society of post-Emergency Ireland through...
It is a truism to state that Irish theatre has long been and largely remains obsessed with history, ...
This study critically assesses the depiction of Nationalism within Irish Theatre over the century fo...
Throughout 2016, Irish theatre-makers created scores of commemorative performances for the centenary...
Following nearly eight hundred years of British colonial rule, the twentieth century for Ireland was...
The Irish national theatre movement developed in the ferment of cultural nationalism at the turn of ...
Ireland faced with a general lack of interest in Irish literature and a significant decline in the l...
International audienceThis collective volume provides the reader with an exploration of various arti...
Drawing on his experience as an Irish Times Theatre Awards judge through 2016, the author analyzes a...
Traditional theatre historiography regards the Abbey Theatre as the embodiment of the modern phase o...
This paper will survey the means employed by various bodies within Ireland to commemorate the 1916 E...
This dissertation examines theatre and film in Ireland between 1988 and 2005, focusing on the plays ...
Transatlantic Dialogues: Sectarian Violence and Popular Performance in Nineteenth-Century Belfast ex...
This dissertation outlines the origins, contours, and impact of the amateur theatre movement in Irel...
Commemoration is part of what defines nations and their configurations; the considerable investment ...
This dissertation examines the intersection of theatre and society of post-Emergency Ireland through...
It is a truism to state that Irish theatre has long been and largely remains obsessed with history, ...
This study critically assesses the depiction of Nationalism within Irish Theatre over the century fo...
Throughout 2016, Irish theatre-makers created scores of commemorative performances for the centenary...
Following nearly eight hundred years of British colonial rule, the twentieth century for Ireland was...
The Irish national theatre movement developed in the ferment of cultural nationalism at the turn of ...
Ireland faced with a general lack of interest in Irish literature and a significant decline in the l...
International audienceThis collective volume provides the reader with an exploration of various arti...
Drawing on his experience as an Irish Times Theatre Awards judge through 2016, the author analyzes a...
Traditional theatre historiography regards the Abbey Theatre as the embodiment of the modern phase o...
This paper will survey the means employed by various bodies within Ireland to commemorate the 1916 E...
This dissertation examines theatre and film in Ireland between 1988 and 2005, focusing on the plays ...
Transatlantic Dialogues: Sectarian Violence and Popular Performance in Nineteenth-Century Belfast ex...
This dissertation outlines the origins, contours, and impact of the amateur theatre movement in Irel...
Commemoration is part of what defines nations and their configurations; the considerable investment ...
This dissertation examines the intersection of theatre and society of post-Emergency Ireland through...
It is a truism to state that Irish theatre has long been and largely remains obsessed with history, ...