This book will be of particular interest to undergraduates of performing arts and the substantial community of those engaged in storytelling, filling a noticeable void in an emerging field of scholarship. Michael Wilson addresses the recent rise of storytelling as a professional performance art by providing a critical survey of current practice and a critical framework for those debates currently taking place, and those debates which will undoubtedly emerge in future. The text includes critical analysis of a range of practices alongside interviews with key contemporary practitioners about their work
The following remarks originated as a plenary forum by tJ-ie same title at Hie Storytelling, Self, S...
The aim of my thesis is to acquaint the reader with the method of storytelling, which is not well kn...
Contemporary theatre is going through a period of unparalleled excitement and challenge. Terms like ...
Professional storytellers and their work over the past three decades have been acknowledged as a fie...
This special issue on Storytelling as Contemporary Performing Art deals with the art of storytelling...
Contemporary storytelling has constructed itself as a compound of tradition-based performing art and...
This book argues that oral storytelling offers a rich and much-needed channel for intergenerational ...
Retelling performances, collecting things, reading traces, mapping memories, gaming autobiographies:...
Contemporary Narrative introduces key issues and trends in contemporary narrative studies. Taking a ...
The stories that we tell and see represented across various mediums have cultural and social implica...
Professional storytellers and their work over the past three decades have been acknowledged as a fie...
A detailed account and analysis of a six week theatrical devising workshop and culminating performan...
As youth media programs proliferate in an age of “algorhythmic governance” (Boler Davis, 2018), cri...
This book chapter began life as a paper presented at the International Conference on Storytelling in...
In recent years there has been a huge amount of both popular and academic interest in storytelling a...
The following remarks originated as a plenary forum by tJ-ie same title at Hie Storytelling, Self, S...
The aim of my thesis is to acquaint the reader with the method of storytelling, which is not well kn...
Contemporary theatre is going through a period of unparalleled excitement and challenge. Terms like ...
Professional storytellers and their work over the past three decades have been acknowledged as a fie...
This special issue on Storytelling as Contemporary Performing Art deals with the art of storytelling...
Contemporary storytelling has constructed itself as a compound of tradition-based performing art and...
This book argues that oral storytelling offers a rich and much-needed channel for intergenerational ...
Retelling performances, collecting things, reading traces, mapping memories, gaming autobiographies:...
Contemporary Narrative introduces key issues and trends in contemporary narrative studies. Taking a ...
The stories that we tell and see represented across various mediums have cultural and social implica...
Professional storytellers and their work over the past three decades have been acknowledged as a fie...
A detailed account and analysis of a six week theatrical devising workshop and culminating performan...
As youth media programs proliferate in an age of “algorhythmic governance” (Boler Davis, 2018), cri...
This book chapter began life as a paper presented at the International Conference on Storytelling in...
In recent years there has been a huge amount of both popular and academic interest in storytelling a...
The following remarks originated as a plenary forum by tJ-ie same title at Hie Storytelling, Self, S...
The aim of my thesis is to acquaint the reader with the method of storytelling, which is not well kn...
Contemporary theatre is going through a period of unparalleled excitement and challenge. Terms like ...