Following ‘Sink II’ the artefact ‘Anatomical Deconstruction V’ de-emphasises processes of making by further abstracting forms. The work thematises anatomical references in association with found objects. Sheet glass is assembled in a deliberate low-tech manner to create precarious supporting structures for utilitarian ceramic fragments. ‘Wilful amateurism’ is employed to achieve spontaneous outcomes which placing the concept at the forefront of the work. The theoretical validity of non-technical approaches is made most apparent as the glass responds directly to the broken ceramic. This artefact was included in New Glass Review 34, published in spring 2013, an annual survey of contemporary glass undertaken by The Corning Museum of Glass, ...
none1noBy analysing the relationship between drawing and actual object, it is observed that the desi...
Deconstruction is an intellectual stream that emerged as a result of the changes and requirements of...
Lise Autogena discussed her work with glass in the late 1980s and 90s - and how it led to a technolo...
Following ‘Sink II’ the artefact ‘Anatomical Deconstruction V’ de-emphasises processes of making by ...
A continuation of the ‘Anatomical Deconstruction’ series, 'Anatomical Deconstruction VII' de-emphasi...
I respond to bone-like ceramic fragments in pursuit of a personal material language of purposeful ‘r...
Dealing with narratives relating to corporeal vulnerabilities, sinew II is in part initially a respo...
Metamorphosis and Transformation was created during artist-in-residency programmes at the Museum of ...
By analysing the relationship between drawing and actual object, it is observed that the design of g...
This article aims to focus on the versatile material of glass and to explore the unique potential of...
My research is about combining recycled materials with glass structures to produce textile artworks ...
The endless possibilies of glass are inspiring. It has the ability to not only reflect, but its unbe...
This paper is an experimental exercise that thinks through the materiality of an ancient glass flask...
none2noThree case studies were analysed, the purpose of the conservation treatments was the same: ...
This practice -led thesis is based on a study of the use of encased voids or bubbles in glass. The ...
none1noBy analysing the relationship between drawing and actual object, it is observed that the desi...
Deconstruction is an intellectual stream that emerged as a result of the changes and requirements of...
Lise Autogena discussed her work with glass in the late 1980s and 90s - and how it led to a technolo...
Following ‘Sink II’ the artefact ‘Anatomical Deconstruction V’ de-emphasises processes of making by ...
A continuation of the ‘Anatomical Deconstruction’ series, 'Anatomical Deconstruction VII' de-emphasi...
I respond to bone-like ceramic fragments in pursuit of a personal material language of purposeful ‘r...
Dealing with narratives relating to corporeal vulnerabilities, sinew II is in part initially a respo...
Metamorphosis and Transformation was created during artist-in-residency programmes at the Museum of ...
By analysing the relationship between drawing and actual object, it is observed that the design of g...
This article aims to focus on the versatile material of glass and to explore the unique potential of...
My research is about combining recycled materials with glass structures to produce textile artworks ...
The endless possibilies of glass are inspiring. It has the ability to not only reflect, but its unbe...
This paper is an experimental exercise that thinks through the materiality of an ancient glass flask...
none2noThree case studies were analysed, the purpose of the conservation treatments was the same: ...
This practice -led thesis is based on a study of the use of encased voids or bubbles in glass. The ...
none1noBy analysing the relationship between drawing and actual object, it is observed that the desi...
Deconstruction is an intellectual stream that emerged as a result of the changes and requirements of...
Lise Autogena discussed her work with glass in the late 1980s and 90s - and how it led to a technolo...