A critique is presented of the epic films "Katyń" and "Pan Tadeusz" (The Last Foray in Lithuania) by Polish director Andrzej Wajda, focusing on themes of nationalism and anti-Soviet political views in the films. Government censorship of films before 1990, Poland's transition from communism to capitalism, and the depiction of World War II historical events in the films are discussed, as well as themes of nostalgia and Polish-Russian relations
Marta Bryś analizuje dwa filmy Andrzeja Wajdy powstałe w 1968 roku: Wszystko na sprzedaż oraz Przekł...
Moja praca dyplomowa to próba przybliżenia polskiej twórczości filmowej Andrzeja Żuławskiego w konte...
Contemporary Polish cultural identity is derived from shared memories of Poland’s turbulent past. Th...
A critique is presented of the epic films "Katyń" and "Pan Tadeusz" (The Last Foray in Lithuania) b...
Historical films are important carriers of collective memory, and as a genre historical films can ac...
NOT CHANGING LOOKS. PRESENTATION OF CRUELTY AND EVIL IN THE FILMS OF ANDRZEJ WAJDAAmong Andrzej Waj...
Bu çalışma Polonya sinemasının dünya çapında ün kazanmış yönetmenlerinden biri olan Andrzej Wajda’nı...
Ib Bondebjerg, Instytut Mediów, Procesów Poznania i Komunikacji na uniwersytecie w Kopenhadze, Wobec...
Przedmiotem badań niniejszej pracy jest częściowe zbadanie percepcji historycznej zbrodni katyńskiej...
Łucja Iwanczewska ponders the strategies and cinematic decisions of Andrzej Wajda. Her thesis is tha...
ASHES AND DIAMONDS ON FIRE. CRITICAL REVIEWS AFTER DECEMBER 13TH, 1981Shortly after its premiere, Wa...
The subject of this article is an ideological aspect of Pan Tadeusz, directed by Ryszard Ordyński (b...
The article discusses the creation of Andrzej Wajda who is a prominent representative of the Polish ...
ANDRZEJ WAJDA'S DUTIES TO THE AUDIENCE (OSCAR 2000) You may think about cinema whatever you wish bu...
In this study, Polish cultural identity as derived from shared cultural memories is explored. The pe...
Marta Bryś analizuje dwa filmy Andrzeja Wajdy powstałe w 1968 roku: Wszystko na sprzedaż oraz Przekł...
Moja praca dyplomowa to próba przybliżenia polskiej twórczości filmowej Andrzeja Żuławskiego w konte...
Contemporary Polish cultural identity is derived from shared memories of Poland’s turbulent past. Th...
A critique is presented of the epic films "Katyń" and "Pan Tadeusz" (The Last Foray in Lithuania) b...
Historical films are important carriers of collective memory, and as a genre historical films can ac...
NOT CHANGING LOOKS. PRESENTATION OF CRUELTY AND EVIL IN THE FILMS OF ANDRZEJ WAJDAAmong Andrzej Waj...
Bu çalışma Polonya sinemasının dünya çapında ün kazanmış yönetmenlerinden biri olan Andrzej Wajda’nı...
Ib Bondebjerg, Instytut Mediów, Procesów Poznania i Komunikacji na uniwersytecie w Kopenhadze, Wobec...
Przedmiotem badań niniejszej pracy jest częściowe zbadanie percepcji historycznej zbrodni katyńskiej...
Łucja Iwanczewska ponders the strategies and cinematic decisions of Andrzej Wajda. Her thesis is tha...
ASHES AND DIAMONDS ON FIRE. CRITICAL REVIEWS AFTER DECEMBER 13TH, 1981Shortly after its premiere, Wa...
The subject of this article is an ideological aspect of Pan Tadeusz, directed by Ryszard Ordyński (b...
The article discusses the creation of Andrzej Wajda who is a prominent representative of the Polish ...
ANDRZEJ WAJDA'S DUTIES TO THE AUDIENCE (OSCAR 2000) You may think about cinema whatever you wish bu...
In this study, Polish cultural identity as derived from shared cultural memories is explored. The pe...
Marta Bryś analizuje dwa filmy Andrzeja Wajdy powstałe w 1968 roku: Wszystko na sprzedaż oraz Przekł...
Moja praca dyplomowa to próba przybliżenia polskiej twórczości filmowej Andrzeja Żuławskiego w konte...
Contemporary Polish cultural identity is derived from shared memories of Poland’s turbulent past. Th...