INTRODUCTION: To achieve the desired aesthetics of leaping in dance it is necessary that these movements are performed equally well from either leg. However, these leaps may naturally be better performed from the dominant leg than the non-dominant leg. A lack of relevant experimental evidence precludes an assessment of this idea. PURPOSE: To determine whether a dancer executes a leap from her dominant leg better than from her non-dominant leg. METHODS: Ten experienced college aged dancers, (20 ± 1.0 yr, 62.3 ± 8.3 kg, 1.67 ± 0.1 m), performed six trials of a stationary leap off of a force plate. Limb dominance in each participant was determined. Trials were filmed using a digital camera operating at 60 Hz. The right and left hip, knee, and ...
Bravo-Pontrelli, E., Rubin, K., Stearne, D. West Chester University, West Chester, PA Purpose: Alter...
Introduction: The purpose of this study was to examine whether Plyometric training effects dancers’ ...
Introduction: Vertical jumps are the key components of performance in the classical ballet and volle...
The effect of limb preference on lower extremity function and performance was examined in young heal...
A lateral bias has been previously reported in dance training. The aim of this study was to investig...
abstract: Dancers tend to injure the anterior cruciate ligament in their left leg more often than th...
The vertical jump (VJ), the gold standard for assessing leg power, is most commonly performed from a...
Contains fulltext : 162171.pdf (publisher's version ) (Open Access)A lateral bias ...
Overuse musculoskeletal injuries of the hip, knee, and ankle are prevalent in dancers. Differences i...
INTRODUCTION: The kinematic, dynamic and myoelectrical characteristics of the one-foot vertical jump...
A lateral bias has been previously reported in dance training. The aim of this study was to investig...
This is an accepted manuscript of an article published by J.Michael Ryan in Journal of Dance Medicin...
The purpose of this study was to investigate how the external rotations of lower limbs influence the...
Ballet is an athletic activity that combines aesthetics and artistry with power and skill. One ...
Jumping ability is considered a determinant of performance success. It is identified as one of the p...
Bravo-Pontrelli, E., Rubin, K., Stearne, D. West Chester University, West Chester, PA Purpose: Alter...
Introduction: The purpose of this study was to examine whether Plyometric training effects dancers’ ...
Introduction: Vertical jumps are the key components of performance in the classical ballet and volle...
The effect of limb preference on lower extremity function and performance was examined in young heal...
A lateral bias has been previously reported in dance training. The aim of this study was to investig...
abstract: Dancers tend to injure the anterior cruciate ligament in their left leg more often than th...
The vertical jump (VJ), the gold standard for assessing leg power, is most commonly performed from a...
Contains fulltext : 162171.pdf (publisher's version ) (Open Access)A lateral bias ...
Overuse musculoskeletal injuries of the hip, knee, and ankle are prevalent in dancers. Differences i...
INTRODUCTION: The kinematic, dynamic and myoelectrical characteristics of the one-foot vertical jump...
A lateral bias has been previously reported in dance training. The aim of this study was to investig...
This is an accepted manuscript of an article published by J.Michael Ryan in Journal of Dance Medicin...
The purpose of this study was to investigate how the external rotations of lower limbs influence the...
Ballet is an athletic activity that combines aesthetics and artistry with power and skill. One ...
Jumping ability is considered a determinant of performance success. It is identified as one of the p...
Bravo-Pontrelli, E., Rubin, K., Stearne, D. West Chester University, West Chester, PA Purpose: Alter...
Introduction: The purpose of this study was to examine whether Plyometric training effects dancers’ ...
Introduction: Vertical jumps are the key components of performance in the classical ballet and volle...