Abstract This paper discusses how indeterminate techniques borrowed from experimental music can be applied to the composition and performance of popular, song-based material. The author makes the case for treating computer-based systems as collaborators in creating works that are both sensuous and cerebral
Much of what we might call "high-art music" occupies the difficult end of listening for contemporary...
Creators of visual music face the challenge of retaining their own artistic impetus amidst an overwh...
Today, in the traditional musical performances, performers play notes and make music according to co...
PhDThis thesis is about interactive music, a musical experience that involves participation from th...
The Music Room is an interactive installation that allows visitor to compose classical music by movi...
THESIS STATEMENT: In a visually dominated culture, spaces of sound have the potential to produce an ...
How can Visual Music be composed and presented in such an engaging way that it will turn spectators ...
This article provides a philosophical perspective on how technology may impact on the dramaturgy of ...
© 2019 James Westgarth WilkinsonIn this study I take a phenomenological approach to music compositio...
How can we make music with artificial intelligence (AI) in the future? Unlike most studies on AI and...
Music making is among the activities that best fulfil a person’s full potential, but it is also one ...
Creators of visual music face the challenge of retaining their own artistic impetus amidst an overwh...
This article discusses the importance of active listening when engaging new audiences with experimen...
Immersive theatre is a growing trend within theatre entertainment: audience members can now wander a...
The second part of my senior project is a sound installation and performance taking place in the Int...
Much of what we might call "high-art music" occupies the difficult end of listening for contemporary...
Creators of visual music face the challenge of retaining their own artistic impetus amidst an overwh...
Today, in the traditional musical performances, performers play notes and make music according to co...
PhDThis thesis is about interactive music, a musical experience that involves participation from th...
The Music Room is an interactive installation that allows visitor to compose classical music by movi...
THESIS STATEMENT: In a visually dominated culture, spaces of sound have the potential to produce an ...
How can Visual Music be composed and presented in such an engaging way that it will turn spectators ...
This article provides a philosophical perspective on how technology may impact on the dramaturgy of ...
© 2019 James Westgarth WilkinsonIn this study I take a phenomenological approach to music compositio...
How can we make music with artificial intelligence (AI) in the future? Unlike most studies on AI and...
Music making is among the activities that best fulfil a person’s full potential, but it is also one ...
Creators of visual music face the challenge of retaining their own artistic impetus amidst an overwh...
This article discusses the importance of active listening when engaging new audiences with experimen...
Immersive theatre is a growing trend within theatre entertainment: audience members can now wander a...
The second part of my senior project is a sound installation and performance taking place in the Int...
Much of what we might call "high-art music" occupies the difficult end of listening for contemporary...
Creators of visual music face the challenge of retaining their own artistic impetus amidst an overwh...
Today, in the traditional musical performances, performers play notes and make music according to co...
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