"In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam and an expanded notion of artistic practice, Yvonne Rainer presented her evening-length work, The Mind is a Muscle, a multipart performance for seven dancers interspersed with film and text. Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation and analyses her radical approach to image-making in live form." -- Publisher's website
Twelve Simple Dances (in 4 parts) uses the physical language of Martina Bergman Österberg's rational...
In this keynote event British choreographer Rosemary Butcher, in conversation with Stefanie Sachsenm...
The basic, universal movement of the running body has been repeated and made visible in aesthetic, s...
"In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war...
This work explores the work of Yvonne Rainer, american filmaker. It reflects her dance, choreographi...
This thesis explores the ways in which Yvonne Rainer’s manipulation of the body was bound up with mi...
"In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic...
This dissertation examines the role of media and movement in contemporary choreography and film. In ...
This article reads together the work of Yvonne Rainer and Carolee Schneemann, as situated between fi...
Danse, performance, cinéma, écrits théoriques et poétiques : dans la multiplicité de sa création art...
The multiplicity of Yvonne Rainer’s art and intellectual works - in dance, performance, film, theore...
Rainer's autobiographical recollections shed insight on the artist's development. The monograph reco...
This article focuses on two experimental films from the 1960s: Yvonne Rainer’s Hand Movie (1966) and...
The aim of this study is to point out the relationship of ballet, modern dance and hip-hop towards t...
Delving critically into the larger (or global) artistic, social and political climate of the environ...
Twelve Simple Dances (in 4 parts) uses the physical language of Martina Bergman Österberg's rational...
In this keynote event British choreographer Rosemary Butcher, in conversation with Stefanie Sachsenm...
The basic, universal movement of the running body has been repeated and made visible in aesthetic, s...
"In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war...
This work explores the work of Yvonne Rainer, american filmaker. It reflects her dance, choreographi...
This thesis explores the ways in which Yvonne Rainer’s manipulation of the body was bound up with mi...
"In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic...
This dissertation examines the role of media and movement in contemporary choreography and film. In ...
This article reads together the work of Yvonne Rainer and Carolee Schneemann, as situated between fi...
Danse, performance, cinéma, écrits théoriques et poétiques : dans la multiplicité de sa création art...
The multiplicity of Yvonne Rainer’s art and intellectual works - in dance, performance, film, theore...
Rainer's autobiographical recollections shed insight on the artist's development. The monograph reco...
This article focuses on two experimental films from the 1960s: Yvonne Rainer’s Hand Movie (1966) and...
The aim of this study is to point out the relationship of ballet, modern dance and hip-hop towards t...
Delving critically into the larger (or global) artistic, social and political climate of the environ...
Twelve Simple Dances (in 4 parts) uses the physical language of Martina Bergman Österberg's rational...
In this keynote event British choreographer Rosemary Butcher, in conversation with Stefanie Sachsenm...
The basic, universal movement of the running body has been repeated and made visible in aesthetic, s...