Add to ORKG"This reader surveys the rich history of relationships between the moving and the still image in photography and film, tracing their ever-changing dialogue since early modernism" -- p. [4] of cover
"Over the past four decades, film and video have played an increasingly important role in contempora...
Can we re-rethink the history of the cinema moving from gestures? The gesture connected with the act...
In delineating a poetics of the cinematographic frame, this essay presents a typology of framing sty...
Though traditionally photography is supposed to be a still image while movement is associated with f...
In a world where change has become the only constant, how does the perpetually new relate to the old...
The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deploye...
Dealing with the film still of classical Hollywood films, this article traces the historical develop...
the sepia picture goes full colour and begins to move. In the chronological history of ...
"Attracted by the power of cinema, the artists featured here analyze its components and delve into t...
"A conversation across disciplines and modes between an artist and a critic. What is the Cinematic? ...
In this paper I consider instances of the moving image apparently becoming still in film-based cinem...
Over the past two decades, research on the interaction between photographic and filmic images has be...
This PhD project proposes the idea of ‘attractions’ as a tool for the critical analysis and reassess...
To view a film is to see another's seeing mediated by the technology and techniques of the camera. B...
In 'Mapping the Moving Image', Pasi Väliaho shows how cinema came to change the way we act, think, a...
"Over the past four decades, film and video have played an increasingly important role in contempora...
Can we re-rethink the history of the cinema moving from gestures? The gesture connected with the act...
In delineating a poetics of the cinematographic frame, this essay presents a typology of framing sty...
Though traditionally photography is supposed to be a still image while movement is associated with f...
In a world where change has become the only constant, how does the perpetually new relate to the old...
The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deploye...
Dealing with the film still of classical Hollywood films, this article traces the historical develop...
the sepia picture goes full colour and begins to move. In the chronological history of ...
"Attracted by the power of cinema, the artists featured here analyze its components and delve into t...
"A conversation across disciplines and modes between an artist and a critic. What is the Cinematic? ...
In this paper I consider instances of the moving image apparently becoming still in film-based cinem...
Over the past two decades, research on the interaction between photographic and filmic images has be...
This PhD project proposes the idea of ‘attractions’ as a tool for the critical analysis and reassess...
To view a film is to see another's seeing mediated by the technology and techniques of the camera. B...
In 'Mapping the Moving Image', Pasi Väliaho shows how cinema came to change the way we act, think, a...
"Over the past four decades, film and video have played an increasingly important role in contempora...
Can we re-rethink the history of the cinema moving from gestures? The gesture connected with the act...
In delineating a poetics of the cinematographic frame, this essay presents a typology of framing sty...