"Exhibit A features the work of nine artists whose lives and artistic practices originated in the Atlantic provinces. While all of these artists approach photography in individual and idiosyncratic ways, their work has been indelibly imprinted by their East Coast experience. Often eschewing romantic notions of the sea and rejecting the traditional genre of seascape photography, these artists shift their gazes from the sea to the land. In so doing, they examine constructions in the landscape that, whether for habitation, worship, industry or leisure, offer evidence of life in the region, past and present." -- p. 9-10
Under Colonial Copyright Law, the British Museum Library acquired a substantial collection of Cana...
How have photographs contributed to visualizing the "imagined community" of Canada? In what ways doe...
This album of photographs appears to be the work of Simeon H. Parsons (1844-1908), one of Newfoundla...
"Exhibit A features the work of nine artists whose lives and artistic practices originated in the At...
MacKeeman describes the diversity of graphic art in the Maritimes through works submitted in the com...
Williamson offers an extensive history of Canadian crafts. Biographical notes on the 137 Maritime ex...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
In her thematic analysis Langford provides biographical information on ten photographers from the Ma...
Guest curators/artists from the Maritimes discuss printmaking in their respective home provinces. Bi...
This catalogue is from an art exhibition featuring Canadian and Newfoundland paintings from the art ...
This is a collection of black and white photographs and interesting facts about Newfoundland whose s...
Pamphlet/broadsheet documenting exhibition of work by six Newfoundland artists. Artists' statements ...
Barbour describes this exhibition of photographs of the Canadian landscape and analyses each artist'...
This solo exhibition of recent paintings was through invitation by the New Heritage Gallery, Hamilto...
This exhibition and accompanying essay explore objects of cultural significance from my home, the is...
Under Colonial Copyright Law, the British Museum Library acquired a substantial collection of Cana...
How have photographs contributed to visualizing the "imagined community" of Canada? In what ways doe...
This album of photographs appears to be the work of Simeon H. Parsons (1844-1908), one of Newfoundla...
"Exhibit A features the work of nine artists whose lives and artistic practices originated in the At...
MacKeeman describes the diversity of graphic art in the Maritimes through works submitted in the com...
Williamson offers an extensive history of Canadian crafts. Biographical notes on the 137 Maritime ex...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
In her thematic analysis Langford provides biographical information on ten photographers from the Ma...
Guest curators/artists from the Maritimes discuss printmaking in their respective home provinces. Bi...
This catalogue is from an art exhibition featuring Canadian and Newfoundland paintings from the art ...
This is a collection of black and white photographs and interesting facts about Newfoundland whose s...
Pamphlet/broadsheet documenting exhibition of work by six Newfoundland artists. Artists' statements ...
Barbour describes this exhibition of photographs of the Canadian landscape and analyses each artist'...
This solo exhibition of recent paintings was through invitation by the New Heritage Gallery, Hamilto...
This exhibition and accompanying essay explore objects of cultural significance from my home, the is...
Under Colonial Copyright Law, the British Museum Library acquired a substantial collection of Cana...
How have photographs contributed to visualizing the "imagined community" of Canada? In what ways doe...
This album of photographs appears to be the work of Simeon H. Parsons (1844-1908), one of Newfoundla...