Add to ORKGCatalogue from an exhibition by four Canadian and European women artists. Hobbs’ psychology-informed essay examines the body/mind split, human subjectivity, and the nature and location of “the self” while discussing the role of art in understanding the world. Citing transformations in art since modernism, he suggests art has become “a theatricality of the body.” Biographical notes on artists. 4 bibl. ref
The essay Stor Tystnad (Great Silence) was written during the production of my solo exhibition with ...
My art is the foundation I use to commune with myself and bridge the gap to the rest of the world. A...
Published on the occasion of a major exhibition opening at the Institute of Contemporary Art in Bost...
This essay considers a single work by the artist Zarina Bhimji, entitled She Loved to Breathe--Pure ...
Catalogue to accompany a group exhibition comprised of works by 11 artists from Ottawa and Hull who ...
exhibition essay 'Some Notes on Nothing, and the Silence of Works of Art.' Chisenhale Gallery, Lo...
Catalogue for a group exhibition based on the theme of the human figure transformed through processe...
This anthology, the first in a series of publications entitled "Prendre Parole", contains 26 texts b...
This exhibition catalogue documents the work of 20 international artists and comprises five essays o...
Essays by 14 authors treat a wide range of subjects, including aesthetics and truth, aesthetics and ...
The paper ‘Am I the Art? An Analysis of the Relationship of the Live Artist to the Event’ was presen...
This publication documents a series of four exhibitions based on the theme of representation, presen...
Presentation of seven Canadian and American women artists exploring in diverse media the common them...
The transformation of our own bodies is the most direct proof of the passing of time. Our lifetime i...
The Secret Lives of Art Works is a collection of essays on the phenomenon that viewers treat works o...
The essay Stor Tystnad (Great Silence) was written during the production of my solo exhibition with ...
My art is the foundation I use to commune with myself and bridge the gap to the rest of the world. A...
Published on the occasion of a major exhibition opening at the Institute of Contemporary Art in Bost...
This essay considers a single work by the artist Zarina Bhimji, entitled She Loved to Breathe--Pure ...
Catalogue to accompany a group exhibition comprised of works by 11 artists from Ottawa and Hull who ...
exhibition essay 'Some Notes on Nothing, and the Silence of Works of Art.' Chisenhale Gallery, Lo...
Catalogue for a group exhibition based on the theme of the human figure transformed through processe...
This anthology, the first in a series of publications entitled "Prendre Parole", contains 26 texts b...
This exhibition catalogue documents the work of 20 international artists and comprises five essays o...
Essays by 14 authors treat a wide range of subjects, including aesthetics and truth, aesthetics and ...
The paper ‘Am I the Art? An Analysis of the Relationship of the Live Artist to the Event’ was presen...
This publication documents a series of four exhibitions based on the theme of representation, presen...
Presentation of seven Canadian and American women artists exploring in diverse media the common them...
The transformation of our own bodies is the most direct proof of the passing of time. Our lifetime i...
The Secret Lives of Art Works is a collection of essays on the phenomenon that viewers treat works o...
The essay Stor Tystnad (Great Silence) was written during the production of my solo exhibition with ...
My art is the foundation I use to commune with myself and bridge the gap to the rest of the world. A...
Published on the occasion of a major exhibition opening at the Institute of Contemporary Art in Bost...