In this catalogue, author Laurent comments on how Stankoci’s painting is remeniscent of cellular and anatomic bodies, how Fisher’s work questions the evolution of images and how Hlôška’s glass pieces work as art objects. Jancár focuses on the themes used by the artists including individuality, the relationship between man and nature and the duality between illusion and reality. Both authors discuss the artists and their work from a socio-political perspective. Texts in French and English. Biographical notes
Leopold Plotek est un artiste montréalais, né en Russie, qui consacre sa carrière artistique à la pe...
Book synopsis: The notion that the practice of abstraction was confined to Western Europe while a st...
In a brief text, Ménard traces the emergence of abstraction in the visual arts in Canada. Biographic...
In this catalogue, author Laurent comments on how Stankoci’s painting is remeniscent of cellular and...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
Despite the geographical and cultural gaps that distance Lagacé (Notre-Dame-du-Portage) from MacWill...
Styrsky and Toyen and their artificialism ; affinities and divergences. In Paris in 1926 the Czech ...
A well illustrated catalogue for an exhibition of Lanctôt’s paintings from the 1980s and 1990s. Lama...
This catalogue accompanies an exhibition by three artists whose practices question abstract painting...
The topic of the participation of Kupka in the groupe Abstraction-Création has never been treated be...
The Odyssey of Abstraction. Some Remarks on the abstraction and spiritualityKostołowski analyzes th...
František Kupka (1871-1957), a Czech painter who spent most of his career in France, one of the arti...
In recent years there has been much talk of a new abstraction. But what is new about this tendency? ...
In his essay on Foulem’s ceramic pieces, Mathieu identifies the elements that make them closer to sc...
The political nature of abstraction presented from an artist’s point of view – one who considers the...
Leopold Plotek est un artiste montréalais, né en Russie, qui consacre sa carrière artistique à la pe...
Book synopsis: The notion that the practice of abstraction was confined to Western Europe while a st...
In a brief text, Ménard traces the emergence of abstraction in the visual arts in Canada. Biographic...
In this catalogue, author Laurent comments on how Stankoci’s painting is remeniscent of cellular and...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
Despite the geographical and cultural gaps that distance Lagacé (Notre-Dame-du-Portage) from MacWill...
Styrsky and Toyen and their artificialism ; affinities and divergences. In Paris in 1926 the Czech ...
A well illustrated catalogue for an exhibition of Lanctôt’s paintings from the 1980s and 1990s. Lama...
This catalogue accompanies an exhibition by three artists whose practices question abstract painting...
The topic of the participation of Kupka in the groupe Abstraction-Création has never been treated be...
The Odyssey of Abstraction. Some Remarks on the abstraction and spiritualityKostołowski analyzes th...
František Kupka (1871-1957), a Czech painter who spent most of his career in France, one of the arti...
In recent years there has been much talk of a new abstraction. But what is new about this tendency? ...
In his essay on Foulem’s ceramic pieces, Mathieu identifies the elements that make them closer to sc...
The political nature of abstraction presented from an artist’s point of view – one who considers the...
Leopold Plotek est un artiste montréalais, né en Russie, qui consacre sa carrière artistique à la pe...
Book synopsis: The notion that the practice of abstraction was confined to Western Europe while a st...
In a brief text, Ménard traces the emergence of abstraction in the visual arts in Canada. Biographic...