Sawchyn describes Falk’s work as participating in an adoration and elevation of everyday objects, like shoes, clothing, or fruits and vegetables. The curator sees an affinity between the simple pleasures of Falk’s work and the plenitude of the Okanagan Valley. However, she detects an underlying complexity to the work in relation to the artist’s visions. List of works
Catalogue to accompany an exhibition (consisting of a sculpture, drawings, text and a film) that fol...
Interspersed with lengthy statements by the artist describing his working method, Moppett’s essay tr...
Friss-Hansen investigates the work of ten North American artists who use seductive strategies to com...
Sawchyn describes Falk’s work as participating in an adoration and elevation of everyday objects, li...
This catalogue/monograph, to accompany an exhibition of Falk’s work from the 1960s to the present, c...
Falk reminisces about her career. Watson looks at the sources for Falk's painting and sculpture, whi...
Falk describes her paintings as dialogues between a chair and its surrounding objects
Describing Falk's Night Skies series, Graff looks at the artist's approach to painting and the devel...
Falk considers her work as a homage to the everyday object and relates the memories evoked by her pa...
The curator, Wherry, writing from a First Nations arts context, considers the work of the four artis...
Vancouver’s Gathie Falk is an artistwith a strong reputation in her home region, a senior artist who...
Catalogue for a retrospective exhibition of Gagnon's work since the 1950s. The three authors maintai...
Reid's curatorial essay focuses on the artists' use of decorative patterns and ornamentation, especi...
Falvey delineates the reasons governing the selection of modern Canadian figurative works that make ...
Catalogue to accompany an exhibition of Feindel’s works from 1984 to 1998. In her descriptive analys...
Catalogue to accompany an exhibition (consisting of a sculpture, drawings, text and a film) that fol...
Interspersed with lengthy statements by the artist describing his working method, Moppett’s essay tr...
Friss-Hansen investigates the work of ten North American artists who use seductive strategies to com...
Sawchyn describes Falk’s work as participating in an adoration and elevation of everyday objects, li...
This catalogue/monograph, to accompany an exhibition of Falk’s work from the 1960s to the present, c...
Falk reminisces about her career. Watson looks at the sources for Falk's painting and sculpture, whi...
Falk describes her paintings as dialogues between a chair and its surrounding objects
Describing Falk's Night Skies series, Graff looks at the artist's approach to painting and the devel...
Falk considers her work as a homage to the everyday object and relates the memories evoked by her pa...
The curator, Wherry, writing from a First Nations arts context, considers the work of the four artis...
Vancouver’s Gathie Falk is an artistwith a strong reputation in her home region, a senior artist who...
Catalogue for a retrospective exhibition of Gagnon's work since the 1950s. The three authors maintai...
Reid's curatorial essay focuses on the artists' use of decorative patterns and ornamentation, especi...
Falvey delineates the reasons governing the selection of modern Canadian figurative works that make ...
Catalogue to accompany an exhibition of Feindel’s works from 1984 to 1998. In her descriptive analys...
Catalogue to accompany an exhibition (consisting of a sculpture, drawings, text and a film) that fol...
Interspersed with lengthy statements by the artist describing his working method, Moppett’s essay tr...
Friss-Hansen investigates the work of ten North American artists who use seductive strategies to com...