Through an interdisciplinary approach, Luhmann clarifies the context and contingency of art while elaborating his theory of society. Returning to 18th century aesthetics, the author argues that art is communication that uses perception instead of language. Maintaining that perception and communication are incommensurable, he nonetheless claims that art operates in the boundary between the social system and consciousness, profoundly irritating communication while remaining internal to the social. Circa 860 bibl. ref. Index 20 p
The relation of visual art, artists and society is the focal point around which this paper rotates. ...
Art as a manifestation and reflect ion of culture has been clearly established. Discussions of vario...
Amoo, et al (1998), state that communication is having same mind in sharing verbal or non-verbal sym...
Through an interdisciplinary approach, Luhmann clarifies the context and contingency of art while el...
The author shows, with and against Luhmann, that the art system is not a functional system in the co...
This article investigates the specific form adopted by the communication of art as a social system t...
Focusing on the connections between the artwork and its internal and external network, the article p...
Art as a manifestation and reflect ion of cul ture has been clearly establ;sh~. Oiscussions of vario...
Sensory experience supplies the perceptual equivalents of all theoretical notion because such notion...
Bei dem vorliegenden Text handelt es sich um ein Vortragsmanuskript aus dem Nachlass von Niklas Luhm...
From Introduction: In Aesthetics after Modernism, Peter Fuller writes that "good art can only be rea...
This dissertation offers a meta-synthesis of the history of painting in colonial central Andes from ...
This paper argues that an explanation of the role of aesthetic patterning in human action needs to b...
No abstractAn important parameter of the definition of art, as an intellectual-social phenomenon, is...
Summary: A renewal in the approaches and problematics of the history of art has led to a rethinking ...
The relation of visual art, artists and society is the focal point around which this paper rotates. ...
Art as a manifestation and reflect ion of culture has been clearly established. Discussions of vario...
Amoo, et al (1998), state that communication is having same mind in sharing verbal or non-verbal sym...
Through an interdisciplinary approach, Luhmann clarifies the context and contingency of art while el...
The author shows, with and against Luhmann, that the art system is not a functional system in the co...
This article investigates the specific form adopted by the communication of art as a social system t...
Focusing on the connections between the artwork and its internal and external network, the article p...
Art as a manifestation and reflect ion of cul ture has been clearly establ;sh~. Oiscussions of vario...
Sensory experience supplies the perceptual equivalents of all theoretical notion because such notion...
Bei dem vorliegenden Text handelt es sich um ein Vortragsmanuskript aus dem Nachlass von Niklas Luhm...
From Introduction: In Aesthetics after Modernism, Peter Fuller writes that "good art can only be rea...
This dissertation offers a meta-synthesis of the history of painting in colonial central Andes from ...
This paper argues that an explanation of the role of aesthetic patterning in human action needs to b...
No abstractAn important parameter of the definition of art, as an intellectual-social phenomenon, is...
Summary: A renewal in the approaches and problematics of the history of art has led to a rethinking ...
The relation of visual art, artists and society is the focal point around which this paper rotates. ...
Art as a manifestation and reflect ion of culture has been clearly established. Discussions of vario...
Amoo, et al (1998), state that communication is having same mind in sharing verbal or non-verbal sym...