This major publication traces the development of Goodwin's printmaking from 1950-1990, and focuses on technical/thematic aspects of her work. The authors consider Goodwin’s personal growth and influences, and situate her practice within the artistic context of the same period. Maheux discusses the methods and materials used by the artist, and also presents a glossary of printmaking terms. Includes a catalogue raisonné of 187 prints, a list of plates with no known prints, a list of the works in the exhibition, a chronology of exhibitions (10 p.) and a bibliography (4 p.) 31 bibl. ref
This research investigates through practice, the potential of the primary hand made print in an age ...
This dissertation is the first to consider the innovative prints of the ninety-one women artists who...
Works on loan from The Old Print Shop, New York City. Curated by Michael Di Cerbo of The Old Print S...
This major publication traces the development of Goodwin's printmaking from 1950-1990, and focuses o...
Catalogue produced to coincide with Goodwin's representation of the Sao Paulo Biennale. Focusing on ...
The purpose of the Creative Project was to investigate a variety of traditional and contemporary int...
Racine explores the complex and paradoxical articulation of Goodwin's works in terms of transparency...
McKibbon discusses the prints in the exhibition, demonstrating how printmaking techniques are modifi...
This book surveys the history of the techniques of engraving, etching and plate printing - i.e. that...
This co-authored book offers the first systematic account of the silkscreen monoprints of Martyn Bre...
Catalogue to accompany a touring exhibition comprised of 78 prints by Kipling, created between 1958-...
This paper will consider the relationship of print to the transmission of ideas through the multiple...
Published to accompany the exhibition held in the Print and Stokes Galleries of the New York Public ...
Nokes' introduction emphasizes the labour and skill involved in printmaking. Includes statements by ...
Women in Print is a collection of essays in two related volumes which considers the diversity of rol...
This research investigates through practice, the potential of the primary hand made print in an age ...
This dissertation is the first to consider the innovative prints of the ninety-one women artists who...
Works on loan from The Old Print Shop, New York City. Curated by Michael Di Cerbo of The Old Print S...
This major publication traces the development of Goodwin's printmaking from 1950-1990, and focuses o...
Catalogue produced to coincide with Goodwin's representation of the Sao Paulo Biennale. Focusing on ...
The purpose of the Creative Project was to investigate a variety of traditional and contemporary int...
Racine explores the complex and paradoxical articulation of Goodwin's works in terms of transparency...
McKibbon discusses the prints in the exhibition, demonstrating how printmaking techniques are modifi...
This book surveys the history of the techniques of engraving, etching and plate printing - i.e. that...
This co-authored book offers the first systematic account of the silkscreen monoprints of Martyn Bre...
Catalogue to accompany a touring exhibition comprised of 78 prints by Kipling, created between 1958-...
This paper will consider the relationship of print to the transmission of ideas through the multiple...
Published to accompany the exhibition held in the Print and Stokes Galleries of the New York Public ...
Nokes' introduction emphasizes the labour and skill involved in printmaking. Includes statements by ...
Women in Print is a collection of essays in two related volumes which considers the diversity of rol...
This research investigates through practice, the potential of the primary hand made print in an age ...
This dissertation is the first to consider the innovative prints of the ninety-one women artists who...
Works on loan from The Old Print Shop, New York City. Curated by Michael Di Cerbo of The Old Print S...