Add to ORKGGrande's examination of the life and art of Vaillancourt highlights controversial aspects of the artist's career. Formal, material and technical characteristics of Vaillancourt's public monuments and "social sculpture" are considered in relation to the evolution of modernist sculpture in Quebec. Includes bibliography and brief biographical notes on Grande. 164 bibl. ref
French populist identity and changing notions of masculinity converge in the monument projects of Ju...
In 2008 I was inviteted to take part in LEGENDE, a group exhibition curated by Alexis Vaillant, at C...
The profession of sculpture was transformed during the eighteenth century as the creation and apprec...
Grande's examination of the life and art of Vaillancourt highlights controversial aspects of the art...
In 1894, the Nabi painter Edouard Vuillard completed his second large scale decorative commission fo...
Grande presents Brillant as one of a new generation of Quebec sculptors merging assemblage with the ...
Marius Vachon (1858-1928) was a journalist who played an important part in the late nineteenth-cen...
Bibliography: pages [71]-75The early art of Georges Rouault, 1871-1958, uniquely embodies a fusion o...
This article concerns Raymond Gosselin (1924-2017). The first part presents the biography of this ar...
Catalogue for an exhibition of Boyer’s engraved sculptural works. Lussier’s text traces the artist’s...
This thesis examines the years bracketing the summer of 1876, when Renoir was a resident on the Butt...
General view of the fountain at play, with the Palais des Congres in the background; La Joute (The J...
The Grand Salon at Vaux is a complex space, both original and incomplete. It still seems necessary t...
Nineteenth-century Belgian and French sculpture were part of similar, often entwined developments. T...
Grande writes that Brillant focuses on the materials used in his sculptures while Viallet uses child...
French populist identity and changing notions of masculinity converge in the monument projects of Ju...
In 2008 I was inviteted to take part in LEGENDE, a group exhibition curated by Alexis Vaillant, at C...
The profession of sculpture was transformed during the eighteenth century as the creation and apprec...
Grande's examination of the life and art of Vaillancourt highlights controversial aspects of the art...
In 1894, the Nabi painter Edouard Vuillard completed his second large scale decorative commission fo...
Grande presents Brillant as one of a new generation of Quebec sculptors merging assemblage with the ...
Marius Vachon (1858-1928) was a journalist who played an important part in the late nineteenth-cen...
Bibliography: pages [71]-75The early art of Georges Rouault, 1871-1958, uniquely embodies a fusion o...
This article concerns Raymond Gosselin (1924-2017). The first part presents the biography of this ar...
Catalogue for an exhibition of Boyer’s engraved sculptural works. Lussier’s text traces the artist’s...
This thesis examines the years bracketing the summer of 1876, when Renoir was a resident on the Butt...
General view of the fountain at play, with the Palais des Congres in the background; La Joute (The J...
The Grand Salon at Vaux is a complex space, both original and incomplete. It still seems necessary t...
Nineteenth-century Belgian and French sculpture were part of similar, often entwined developments. T...
Grande writes that Brillant focuses on the materials used in his sculptures while Viallet uses child...
French populist identity and changing notions of masculinity converge in the monument projects of Ju...
In 2008 I was inviteted to take part in LEGENDE, a group exhibition curated by Alexis Vaillant, at C...
The profession of sculpture was transformed during the eighteenth century as the creation and apprec...