This publication is the result of a collaboration between authors N. Gingras and M. Delisle, graphic designer L. Marois and artist J. Perron. In her essay, Gingras focuses on Perron’s experimentation with “exhausting” the still or moving photographic image; she examines individual works for recurring themes and techniques such as repetition, dissolution, fascination, the stripped-down image, and the nature of the gaze. Delisle’s short poetic texts accompany illustrations of the artist’s work. 3 bibl. ref
This essay presents a kind of experiment in art criticism or appreciation. It is highly personal, h...
Catalogue to accompany an exhibition of 29 artist’s books made by Fournier in collaboration with 40 ...
This document presents the works of Montreal photographer Farley and the installations of Quebec Cit...
This publication is the result of a collaboration between authors N. Gingras and M. Delisle, graphic...
This publication, the outcome of several interviews conducted by Gingras with the artist, documents ...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
The work explores the relation between image and language through the specific genre of the still li...
There are hardly ever harmonious, or simply, symmetrical relationships between text and image. Ninet...
Twenty-four years after Explosante-fixe: photographie et Surréalisme, brainchild of Rosalind Krauss,...
The year 1978 saw the first exhibition of photographic portraits of Marcel Proust's family, friends ...
In this monograph dedicated to Montreal artist Lamothe’s photographs, two authors discuss technical ...
Cochran discusses themes and technique in Marois's silksreen prints. Biron (in a text presented in F...
The links between literature and photography confirm the duality inherent in the new, visual image :...
This article aims to shed light on the particularly surrealistic literary and pictorial influences t...
Cette contribution a également été présentée dans le cadre du même projet (The Tableau Project), lor...
This essay presents a kind of experiment in art criticism or appreciation. It is highly personal, h...
Catalogue to accompany an exhibition of 29 artist’s books made by Fournier in collaboration with 40 ...
This document presents the works of Montreal photographer Farley and the installations of Quebec Cit...
This publication is the result of a collaboration between authors N. Gingras and M. Delisle, graphic...
This publication, the outcome of several interviews conducted by Gingras with the artist, documents ...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
The work explores the relation between image and language through the specific genre of the still li...
There are hardly ever harmonious, or simply, symmetrical relationships between text and image. Ninet...
Twenty-four years after Explosante-fixe: photographie et Surréalisme, brainchild of Rosalind Krauss,...
The year 1978 saw the first exhibition of photographic portraits of Marcel Proust's family, friends ...
In this monograph dedicated to Montreal artist Lamothe’s photographs, two authors discuss technical ...
Cochran discusses themes and technique in Marois's silksreen prints. Biron (in a text presented in F...
The links between literature and photography confirm the duality inherent in the new, visual image :...
This article aims to shed light on the particularly surrealistic literary and pictorial influences t...
Cette contribution a également été présentée dans le cadre du même projet (The Tableau Project), lor...
This essay presents a kind of experiment in art criticism or appreciation. It is highly personal, h...
Catalogue to accompany an exhibition of 29 artist’s books made by Fournier in collaboration with 40 ...
This document presents the works of Montreal photographer Farley and the installations of Quebec Cit...