Add to ORKGOriginating from a series of workshops held at the Art Gallery of Ontario and the Vancouver Art Gallery in March 2000, the 24 essays in this book address the subject of Aboriginal representation in the gallery. The authors analyse issues stemming from the production, collection and exhibition of historical and contemporary Aboriginal art. Includes the programme for the workshop series. Text in English, with a French abstract. List of illustrations. Notes on contributors. Circa 450 bibl. ref
For decades, Indigenous art, artifacts and objects have had a contested history within galleries and...
Today, Aboriginal art is celebrated as one of the most popular areas in any Australian art museum. T...
Contemporary curation in Australia is made better if complicated by the call for Aboriginal consulta...
Originating from a series of workshops held at the Art Gallery of Ontario and the Vancouver Art Gall...
The paper focuses on two kinds of relationship: between Western fine art and Indigenous art, and bet...
"Making a Noise! Aboriginal Perspectives on Art, Art History Critical Writing and Community is a col...
The museum and the gallery are two sites in Canada that are instantly imagined as spaces that house ...
Seven authors bear witness to the political stakes and artistic problems underlining the de-folklori...
This dissertation traces the presence of installation-based practices among artists of Aboriginal an...
Catalogue for an exhibition commemorating the first exhibition of contemporary Inuit art, presented ...
Nemiroff documents the Native art collections of the National Gallery of Canada and provides a chron...
The history of collection at the National Gallery of Canada, the Art Gallery of Ontario and the Mont...
Canadian art galleries have long been criticized for their poor inclusion of First Nations art, espe...
Canadian art galleries have long been criticized for their poor inclusion of First Nations art, espe...
This thesis traces the term 'Aboriginal art' through a number of different genres of published liter...
For decades, Indigenous art, artifacts and objects have had a contested history within galleries and...
Today, Aboriginal art is celebrated as one of the most popular areas in any Australian art museum. T...
Contemporary curation in Australia is made better if complicated by the call for Aboriginal consulta...
Originating from a series of workshops held at the Art Gallery of Ontario and the Vancouver Art Gall...
The paper focuses on two kinds of relationship: between Western fine art and Indigenous art, and bet...
"Making a Noise! Aboriginal Perspectives on Art, Art History Critical Writing and Community is a col...
The museum and the gallery are two sites in Canada that are instantly imagined as spaces that house ...
Seven authors bear witness to the political stakes and artistic problems underlining the de-folklori...
This dissertation traces the presence of installation-based practices among artists of Aboriginal an...
Catalogue for an exhibition commemorating the first exhibition of contemporary Inuit art, presented ...
Nemiroff documents the Native art collections of the National Gallery of Canada and provides a chron...
The history of collection at the National Gallery of Canada, the Art Gallery of Ontario and the Mont...
Canadian art galleries have long been criticized for their poor inclusion of First Nations art, espe...
Canadian art galleries have long been criticized for their poor inclusion of First Nations art, espe...
This thesis traces the term 'Aboriginal art' through a number of different genres of published liter...
For decades, Indigenous art, artifacts and objects have had a contested history within galleries and...
Today, Aboriginal art is celebrated as one of the most popular areas in any Australian art museum. T...
Contemporary curation in Australia is made better if complicated by the call for Aboriginal consulta...