Catalogue published to accompany an exhibition of Corriveau’s works, which combine photography, painting, collage and relief. Lupien surveys the artist’s production since 1986 while highlighting his “ongoing interest in the role of perceptual processes as the basis of aesthetic experience.” Includes an artist’s statement where Corriveau elaborates on a series entitled “Attractions”. Texts in English and French. List of works (2 p.) and bibliography (3 p.)
Catalogue to an exhibition commemorating the 25th anniversary of the prix Paul-Émile-Borduas, which ...
Lussier’s interpretation of La Rue’s paintings from 2000-2001, draws attention to how the works are ...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
In honour of Tourangeau’s 20-year practice, this catalogue documents an exhibition comprised of “dyn...
This publication documents the first of four exhibitions in which an artist is invited to create a p...
Morin explores the multiple connotations of "work" in Coutellier's multimedia works. Lawlor discusse...
Catalogue from an exhibition of Lapointe’s pictoral works incoprorating drawing, collage and paintin...
An interview with the artist focuses mainly on the video installation "Lou-Qian à la maison" (1993-1...
This catalogue accompanies the first exhibition in a series that explore certain photographic practi...
Catalogue for an exhibition by four British artists whose works deal with secrecy and refer implicit...
Catalogue for a retrospective exhibition of Gagnon's work since the 1950s. The three authors maintai...
Lupien discusses works by the Quebecois artist, completed in 1997-1998, in two exhibitions presented...
Curation by Mosscrop of exhibition Cortez Arrives at Herbert Read Gallery, University for the Creati...
Curator Boucher traces the evolution of Coutu’s work since 1997, the year he produced a photographic...
Publication to accompany Garneau’s exhibition of paintings and prints from 1995-2000. Lacroix’s inte...
Catalogue to an exhibition commemorating the 25th anniversary of the prix Paul-Émile-Borduas, which ...
Lussier’s interpretation of La Rue’s paintings from 2000-2001, draws attention to how the works are ...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
In honour of Tourangeau’s 20-year practice, this catalogue documents an exhibition comprised of “dyn...
This publication documents the first of four exhibitions in which an artist is invited to create a p...
Morin explores the multiple connotations of "work" in Coutellier's multimedia works. Lawlor discusse...
Catalogue from an exhibition of Lapointe’s pictoral works incoprorating drawing, collage and paintin...
An interview with the artist focuses mainly on the video installation "Lou-Qian à la maison" (1993-1...
This catalogue accompanies the first exhibition in a series that explore certain photographic practi...
Catalogue for an exhibition by four British artists whose works deal with secrecy and refer implicit...
Catalogue for a retrospective exhibition of Gagnon's work since the 1950s. The three authors maintai...
Lupien discusses works by the Quebecois artist, completed in 1997-1998, in two exhibitions presented...
Curation by Mosscrop of exhibition Cortez Arrives at Herbert Read Gallery, University for the Creati...
Curator Boucher traces the evolution of Coutu’s work since 1997, the year he produced a photographic...
Publication to accompany Garneau’s exhibition of paintings and prints from 1995-2000. Lacroix’s inte...
Catalogue to an exhibition commemorating the 25th anniversary of the prix Paul-Émile-Borduas, which ...
Lussier’s interpretation of La Rue’s paintings from 2000-2001, draws attention to how the works are ...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...