This exhibition catalogue represents the second part of a four-year project organised by the Art Gallery of Sudbury, which also includes the exhibition and catalogue “Sudbury: The Industrial Landscape” (1998). Donegan’s interpretation of the paintings, photographs and collages in the exhibition by seven artists who use the industrial topography of the Sudbury Basin as their subject matter, focuses on the economic and environmental effects that copper and nickel mining have had on the area. Includes list of works. Text in French and English. 10 bibl. ref
From: Bulletin of the Geological Society of America ; v. 2.Cover title."With an appendix on the Sili...
This catalogue is from an art exhibition featuring Canadian and Newfoundland paintings from the art ...
In the summer of 2000, Axe NÉO-7 Artists’ Centre presented a group of outdoor installations (along t...
This exhibition catalogue represents the second part of a four-year project organised by the Art Gal...
This exhibition catalogue represents the first part of a four-year project concerned with how Canadi...
This exhibition leaflet/poster draws its content from the main catalogue of an exhibition on the Lac...
Titre de la couverture.En tête du titre: Congrès international de géographie économique et commercia...
The Sudbury mining area is very important in the world today. The Sudbury Breccia, near Sudbury, Ont...
Barbour describes this exhibition of photographs of the Canadian landscape and analyses each artist'...
Abstract Industrial landscapes were a by-product of the Industrial Revolution and emerged in Britain...
Entre mai 1944 et janvier 1945, les quatre principaux musées d’art du Canada réunissent toutes leurs...
Donegan's curatorial project explores the history of mining in Canada in the early twentieth century...
Hogbin traces a history of attitudes towards the environment since the late 1800's in Canada, analyz...
Discussing the impact of industry on society and the environment, the authors address Canadian indus...
The questions raised by post-industrial museums and their different forms challenge the idea of “her...
From: Bulletin of the Geological Society of America ; v. 2.Cover title."With an appendix on the Sili...
This catalogue is from an art exhibition featuring Canadian and Newfoundland paintings from the art ...
In the summer of 2000, Axe NÉO-7 Artists’ Centre presented a group of outdoor installations (along t...
This exhibition catalogue represents the second part of a four-year project organised by the Art Gal...
This exhibition catalogue represents the first part of a four-year project concerned with how Canadi...
This exhibition leaflet/poster draws its content from the main catalogue of an exhibition on the Lac...
Titre de la couverture.En tête du titre: Congrès international de géographie économique et commercia...
The Sudbury mining area is very important in the world today. The Sudbury Breccia, near Sudbury, Ont...
Barbour describes this exhibition of photographs of the Canadian landscape and analyses each artist'...
Abstract Industrial landscapes were a by-product of the Industrial Revolution and emerged in Britain...
Entre mai 1944 et janvier 1945, les quatre principaux musées d’art du Canada réunissent toutes leurs...
Donegan's curatorial project explores the history of mining in Canada in the early twentieth century...
Hogbin traces a history of attitudes towards the environment since the late 1800's in Canada, analyz...
Discussing the impact of industry on society and the environment, the authors address Canadian indus...
The questions raised by post-industrial museums and their different forms challenge the idea of “her...
From: Bulletin of the Geological Society of America ; v. 2.Cover title."With an appendix on the Sili...
This catalogue is from an art exhibition featuring Canadian and Newfoundland paintings from the art ...
In the summer of 2000, Axe NÉO-7 Artists’ Centre presented a group of outdoor installations (along t...