Catalogue to accompany an exhibition (consisting of a sculpture, drawings, text and a film) that followed Huws’ residency at the Oakville Galleries. Salzman’s curatorial text explains how the artist’s origins shape her works, which are based in language, culture and place. Other subjects discussed include: Huws’ process; issues of craft, tactility and corporeality; actual versus virtual space/time; colour versus monochrome drawings; and the sculptural quality of the artist’s drawings. Reust’s essay provides an in-depth analysis of Huws’ text-based piece “Origin and Source” (1997). Brief biographical notes. 11 bibl. ref
The Art.Work project seeks to elaborate on this interplay between existence and form by problematisi...
Catalogue of a major retrospective of Hiller's multi-media installations (photography, automatic wri...
Presented in association with ‘The Stage of Drawing: Gesture and Act’ selected by Newman, this solo ...
Catalogue to accompany an exhibition (consisting of a sculpture, drawings, text and a film) that fol...
Salzman's essay foregrounds Welsh artists Huws' sensitivity to language, culture and place as they r...
This catalogue for concurrent exhibitions at the Power Plant and Oakville Galleries surveys the care...
thesisMaster of ArtsArt/Art HistoryExhibiting work has to do with communication. Like the Berkeley ...
Artist Mark Haywood features in this anthology of 28 artists and their projects, containing artists'...
Wilson co-curated an international survey exhibition of 30 sculptures past and present, each work by...
The curated exhibition 'Marks in Space: Drawing and Sculptural Form', Usher Gallery, July 2004, cata...
Christine Hatt’s two text works were selected for this exhibition by a panel of subject specialists ...
This exhibition brought together four large narrative drawings, alongside small studies. The exhibit...
Catalogue documenting two exhibitions by Magor: “Deep Woods” (1998-99) and “Stores” (2000). Tousley’...
Saskatoon portraitist Hauser's work is compared to that of Alex Colville, Don Hall, Joe Fafard and L...
This thesis is manifested through themes of subjectivity, collaboration and exploration. Through des...
The Art.Work project seeks to elaborate on this interplay between existence and form by problematisi...
Catalogue of a major retrospective of Hiller's multi-media installations (photography, automatic wri...
Presented in association with ‘The Stage of Drawing: Gesture and Act’ selected by Newman, this solo ...
Catalogue to accompany an exhibition (consisting of a sculpture, drawings, text and a film) that fol...
Salzman's essay foregrounds Welsh artists Huws' sensitivity to language, culture and place as they r...
This catalogue for concurrent exhibitions at the Power Plant and Oakville Galleries surveys the care...
thesisMaster of ArtsArt/Art HistoryExhibiting work has to do with communication. Like the Berkeley ...
Artist Mark Haywood features in this anthology of 28 artists and their projects, containing artists'...
Wilson co-curated an international survey exhibition of 30 sculptures past and present, each work by...
The curated exhibition 'Marks in Space: Drawing and Sculptural Form', Usher Gallery, July 2004, cata...
Christine Hatt’s two text works were selected for this exhibition by a panel of subject specialists ...
This exhibition brought together four large narrative drawings, alongside small studies. The exhibit...
Catalogue documenting two exhibitions by Magor: “Deep Woods” (1998-99) and “Stores” (2000). Tousley’...
Saskatoon portraitist Hauser's work is compared to that of Alex Colville, Don Hall, Joe Fafard and L...
This thesis is manifested through themes of subjectivity, collaboration and exploration. Through des...
The Art.Work project seeks to elaborate on this interplay between existence and form by problematisi...
Catalogue of a major retrospective of Hiller's multi-media installations (photography, automatic wri...
Presented in association with ‘The Stage of Drawing: Gesture and Act’ selected by Newman, this solo ...