Add to ORKGThis richly illustrated catalogue (with photographs by H. Foster and W. Mattie) showcases the Canadian Museum of Civilization’s collection of folk art. Tilney’s curatorial essay traces the evolution of Canadian outdoor folk art. He outlines differences between “folklore” and “folk art,” and suggests the rise in the number of folk artists is due to the work of ethnologists, curators, collectors and dealers. Tilney’s comments on “outdoor space” also provide an historical overview of gardens (and their transformation within the Canadian context). Includes a brief text by B. Richardson. Bibliography 1 p
This richly illustrated catalogue was published to accompany an exhibition of Inuit art from the Can...
experienced artists, right across the Arctic and ultimately forced the abandonment of many of these ...
Folk art, the aesthetic material culture created by everyday artists working outside of the mainstre...
"This timely volume happily coincides with the ever-growing interest in Canadian folk art as a vital...
"Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing de...
Catalogue for an exhibition commemorating the first exhibition of contemporary Inuit art, presented ...
Théberge traces a brief history of the Gallery’s various collections in this publication showcasing ...
"Published to coincide with the celebration of Canada’s 150th anniversary, and with the opening of t...
Flood’s survey of Canadian craft activity from 1900 to 1950 concludes that contemporaneous writing a...
This major catalogue for an exhibition composed of approximately ninety works by forty-one contempor...
For an exhibition gathering creations by 198 Canadian craftmakers, the authors consider early Native...
"The vast Canadian landscape has captured the imagination of visual artists since the first European...
This doctoral dissertation addresses land art—ephemeral, site-specific works created from found mate...
It is the purpose of this paper to examine the continuing manifestations of nature in Canadian art s...
This thesis examines the interconnected relationships among Canadian ceramic vessels, Canadian lands...
This richly illustrated catalogue was published to accompany an exhibition of Inuit art from the Can...
experienced artists, right across the Arctic and ultimately forced the abandonment of many of these ...
Folk art, the aesthetic material culture created by everyday artists working outside of the mainstre...
"This timely volume happily coincides with the ever-growing interest in Canadian folk art as a vital...
"Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing de...
Catalogue for an exhibition commemorating the first exhibition of contemporary Inuit art, presented ...
Théberge traces a brief history of the Gallery’s various collections in this publication showcasing ...
"Published to coincide with the celebration of Canada’s 150th anniversary, and with the opening of t...
Flood’s survey of Canadian craft activity from 1900 to 1950 concludes that contemporaneous writing a...
This major catalogue for an exhibition composed of approximately ninety works by forty-one contempor...
For an exhibition gathering creations by 198 Canadian craftmakers, the authors consider early Native...
"The vast Canadian landscape has captured the imagination of visual artists since the first European...
This doctoral dissertation addresses land art—ephemeral, site-specific works created from found mate...
It is the purpose of this paper to examine the continuing manifestations of nature in Canadian art s...
This thesis examines the interconnected relationships among Canadian ceramic vessels, Canadian lands...
This richly illustrated catalogue was published to accompany an exhibition of Inuit art from the Can...
experienced artists, right across the Arctic and ultimately forced the abandonment of many of these ...
Folk art, the aesthetic material culture created by everyday artists working outside of the mainstre...