Bédard’s analysis of seven “drawing machines” by Storey (created during a 15-year period) focuses on the technical and mechanical processes used by the artist, as well as the relationships between machines and exhibition sites. The author also reflects on how the caustic function of the kinetic sculptures relates to perception. Includes excerpts from Storey’s notebooks. Text in French and English. Biographical notes. 15 bibl. ref
Lussier describes the sculptural and global characteristics of Goldsworthy’s work, and situates the ...
Through the pictorial narratives engraved on the walls of the caves during prehistory, we are sure t...
A Machine Aesthetic is a curated national touring exhibition taking place at Gallery North, Newcastl...
While Peck examines Storey's sculpture in the context of the history of kinetic sculpture, Laurence ...
Keziere links autobiographical anecdotes to the activities which take place on the landscape canvas ...
L’opposition entre machine et création, entre sciences et arts, n’est qu’illusoire. L’interdépendanc...
[[abstract]]The Art and Idea of Jean Tinguely’s Machines Jean Tinguely entered the art action movem...
From the first daubings of pre-historic caves, through the invention of the camera obscura and ready...
The research analyses the evolution of automatic drawing technology, starting with some singular mec...
The first known drawings of machines can be found in warfare-themed manuscripts. The oldest of them ...
Catalogue essay to accompany Remote Control exhibition at Angel Row Gallery, Nottingham. The group e...
The machine, over the course of the 20th century, progressively integrated itself into all fields of...
A Machine Aesthetic is a curated national touring exhibition which took place at Gallery North, Newc...
In this study the author reflects upon the works by Wincenty Dunikowski-Duniko (born 1947), an activ...
Names of artists whose work is shown. Overhead shot of people outside the Hayward Gallery, forming ...
Lussier describes the sculptural and global characteristics of Goldsworthy’s work, and situates the ...
Through the pictorial narratives engraved on the walls of the caves during prehistory, we are sure t...
A Machine Aesthetic is a curated national touring exhibition taking place at Gallery North, Newcastl...
While Peck examines Storey's sculpture in the context of the history of kinetic sculpture, Laurence ...
Keziere links autobiographical anecdotes to the activities which take place on the landscape canvas ...
L’opposition entre machine et création, entre sciences et arts, n’est qu’illusoire. L’interdépendanc...
[[abstract]]The Art and Idea of Jean Tinguely’s Machines Jean Tinguely entered the art action movem...
From the first daubings of pre-historic caves, through the invention of the camera obscura and ready...
The research analyses the evolution of automatic drawing technology, starting with some singular mec...
The first known drawings of machines can be found in warfare-themed manuscripts. The oldest of them ...
Catalogue essay to accompany Remote Control exhibition at Angel Row Gallery, Nottingham. The group e...
The machine, over the course of the 20th century, progressively integrated itself into all fields of...
A Machine Aesthetic is a curated national touring exhibition which took place at Gallery North, Newc...
In this study the author reflects upon the works by Wincenty Dunikowski-Duniko (born 1947), an activ...
Names of artists whose work is shown. Overhead shot of people outside the Hayward Gallery, forming ...
Lussier describes the sculptural and global characteristics of Goldsworthy’s work, and situates the ...
Through the pictorial narratives engraved on the walls of the caves during prehistory, we are sure t...
A Machine Aesthetic is a curated national touring exhibition taking place at Gallery North, Newcastl...