Add to ORKGBasing his reflection on the thoughts of Barthes and Lyotard, Marcus Miller links David Miller's work to a questioning of credibility in photography. Biographical notes. 4 bibl. ref
The author considers David Claerbout's work in relation to the overlapping histories of cinema and p...
“Duction” is a collaboration between Thériault and Tomas, an exhibition in book form. Tomas periodic...
Thi s bachelor thesis is about photography and its role in marketing communications. To demonstrate ...
Presented in script form, Clarkson's statement incorporates references from art historical texts by ...
In my work i am engaged at life and work of american photographer David Lachappelle. In first part i...
David Seymour alias Chim, Bernard Berenson observant une oeuvre à la galerie Borghese de Rome, 1955,...
"An obsession with precision and point of view, a love of irony, understatement and subtlety slip in...
Miller's brief text provides insight into his working method for a project which consists of photogr...
This exhibition catalogue focuses on the multidisciplinary aspect of David’s art practice (painting,...
Malassinet Alain. David Miller, Seuls sont les indomptés (Lonely are the brave). In: Raison présente...
The authors describe Miller's machine-sculptures as images that refer to and critique past engineeri...
MacWilliam juxtaposes visual and written quotes to form an essay on the changed definition of art in...
Vojtechovsky's analysis of Miller's site-works focuses on subjects of monumentality and memory. He s...
The works exhibited at the Bonnefanten Museum in Maastricht, The Netherlands, represent an extensive...
Patten's interpretation of Merritt's two part exhibition - which consisted of one gallery with indep...
The author considers David Claerbout's work in relation to the overlapping histories of cinema and p...
“Duction” is a collaboration between Thériault and Tomas, an exhibition in book form. Tomas periodic...
Thi s bachelor thesis is about photography and its role in marketing communications. To demonstrate ...
Presented in script form, Clarkson's statement incorporates references from art historical texts by ...
In my work i am engaged at life and work of american photographer David Lachappelle. In first part i...
David Seymour alias Chim, Bernard Berenson observant une oeuvre à la galerie Borghese de Rome, 1955,...
"An obsession with precision and point of view, a love of irony, understatement and subtlety slip in...
Miller's brief text provides insight into his working method for a project which consists of photogr...
This exhibition catalogue focuses on the multidisciplinary aspect of David’s art practice (painting,...
Malassinet Alain. David Miller, Seuls sont les indomptés (Lonely are the brave). In: Raison présente...
The authors describe Miller's machine-sculptures as images that refer to and critique past engineeri...
MacWilliam juxtaposes visual and written quotes to form an essay on the changed definition of art in...
Vojtechovsky's analysis of Miller's site-works focuses on subjects of monumentality and memory. He s...
The works exhibited at the Bonnefanten Museum in Maastricht, The Netherlands, represent an extensive...
Patten's interpretation of Merritt's two part exhibition - which consisted of one gallery with indep...
The author considers David Claerbout's work in relation to the overlapping histories of cinema and p...
“Duction” is a collaboration between Thériault and Tomas, an exhibition in book form. Tomas periodic...
Thi s bachelor thesis is about photography and its role in marketing communications. To demonstrate ...