Pakasaar discusses the main themes of Wallace's work - the gap between private and public, the break between nature and the city - and documents his use of the photographic during the nineties. Includes a text by the artist (dated May 1995) about the protest against clear-cut logging of forests in Clayoquot Sound, in which he justifies his action and explains the creative consequences of the event. Biographical note
Stals introduces an exhibition focused on the use of the camera in a critical exploration of reality...
Wallace presents Dikeakos' photographs of Vancouver through discussions of the region's history, the...
This original research makes a first attempt to understand some of the origins of the visual culture...
Presentation of a seminal group of interconnected photographic projects that incorporate modernist i...
The authors discuss Wallace's work in relation to monochrome painting, polemical photography and con...
Danzker discusses two of Wallace's works from 1979 which demonstrate how visual representations are ...
Richmond examines Wallace’s photographic series entitled “Masculin / Féminin,” which juxtaposes stil...
According to Shadbolt, Wallace's paintings' emerge from a dialogue between improvised and deliberate...
Focusing on Smith's paintings from 1985 to 1987, Wallace traces the fluctuations between abstraction...
Wallace describes the general decline of painting in the 1960s and the 1970s and situates MacWilliam...
“Dual” is a series of photographs inspired by a personal desire to bring Nature to our attention. In...
"Michael Nicoll Yahgulanaas is a renowned Haida artist who, gradually, during a thirty year career a...
Famous worldwide for his critique of the Chinese regime and its infringement of human rights, Ai Wei...
Tracing the development of their work from 1979 to 1989, Wallace notes the artists' concern for the ...
Artist Kurt Brereton is just as likely to wield a camera or use a Mac to create art, as he is to pic...
Stals introduces an exhibition focused on the use of the camera in a critical exploration of reality...
Wallace presents Dikeakos' photographs of Vancouver through discussions of the region's history, the...
This original research makes a first attempt to understand some of the origins of the visual culture...
Presentation of a seminal group of interconnected photographic projects that incorporate modernist i...
The authors discuss Wallace's work in relation to monochrome painting, polemical photography and con...
Danzker discusses two of Wallace's works from 1979 which demonstrate how visual representations are ...
Richmond examines Wallace’s photographic series entitled “Masculin / Féminin,” which juxtaposes stil...
According to Shadbolt, Wallace's paintings' emerge from a dialogue between improvised and deliberate...
Focusing on Smith's paintings from 1985 to 1987, Wallace traces the fluctuations between abstraction...
Wallace describes the general decline of painting in the 1960s and the 1970s and situates MacWilliam...
“Dual” is a series of photographs inspired by a personal desire to bring Nature to our attention. In...
"Michael Nicoll Yahgulanaas is a renowned Haida artist who, gradually, during a thirty year career a...
Famous worldwide for his critique of the Chinese regime and its infringement of human rights, Ai Wei...
Tracing the development of their work from 1979 to 1989, Wallace notes the artists' concern for the ...
Artist Kurt Brereton is just as likely to wield a camera or use a Mac to create art, as he is to pic...
Stals introduces an exhibition focused on the use of the camera in a critical exploration of reality...
Wallace presents Dikeakos' photographs of Vancouver through discussions of the region's history, the...
This original research makes a first attempt to understand some of the origins of the visual culture...