Add to ORKGGravel summarizes the evolution of Drouin’s development as a painter, dicussing her influences, affiliations, style and techniques while referring to specific works. Biographical notes. Bibliography, 4 p
Leblond discusses the relationship between experience and artistic activity in Hamel's paintings. In...
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
Highlighting the Musée de Joliette's role with regards to Montreal art, Gascon introduces the painte...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...
Wilkin briefly describes the transformations which took place in Drouin's painting between 1972 and ...
A short extract of an article by Biron underlines the impact of Drouin's works in the plastic arts. ...
Sarrazin provides biographical data on the artist and analyzes the series called "Between". Biograph...
Biographical account giving evidence of the artist's will to master woodcut techniques and examining...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Dumont forefronts Sarrazin's process and shows how the painter succeeds in balancing intellect with ...
Punctuated by commentaries by Derouin, this catalogue gathers essays that examine the printing proce...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
Reading Painting. A relationship to painting is an integral part of Michaux' s poetics; at the same ...
Payant underscores the continuation of a critical practice of painting in Saulnier's constructed lan...
Shee traces Hurtubise's career, noting his evolving commitment to abstract expressionist painting. B...
Leblond discusses the relationship between experience and artistic activity in Hamel's paintings. In...
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
Highlighting the Musée de Joliette's role with regards to Montreal art, Gascon introduces the painte...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...
Wilkin briefly describes the transformations which took place in Drouin's painting between 1972 and ...
A short extract of an article by Biron underlines the impact of Drouin's works in the plastic arts. ...
Sarrazin provides biographical data on the artist and analyzes the series called "Between". Biograph...
Biographical account giving evidence of the artist's will to master woodcut techniques and examining...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Dumont forefronts Sarrazin's process and shows how the painter succeeds in balancing intellect with ...
Punctuated by commentaries by Derouin, this catalogue gathers essays that examine the printing proce...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
Reading Painting. A relationship to painting is an integral part of Michaux' s poetics; at the same ...
Payant underscores the continuation of a critical practice of painting in Saulnier's constructed lan...
Shee traces Hurtubise's career, noting his evolving commitment to abstract expressionist painting. B...
Leblond discusses the relationship between experience and artistic activity in Hamel's paintings. In...
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
Highlighting the Musée de Joliette's role with regards to Montreal art, Gascon introduces the painte...