Catalogue for a group exhibition - consisting of more than 150 works by regional, Canadian, international and First Nations artists - which attempts to outline the central themes present within the Kamloops Art Gallery's permanent collection. In his catalogue essay, Hunter begins by outlining his curatorial philosophy, which places emphasis upon the idea that curating is a process-based performative act. He then gives an experiential description of installing the artworks, suggesting that the logic underlying their placement forms a counter-narrative to traditional art historical/curatorial perspectives. Includes list of works. 2 bibl. ref
Under the 1990 federal Museums Act, the National Gallery of Canada has a specific mandate to "preser...
Canadian art galleries have long been criticized for their poor inclusion of First Nations art, espe...
Catalogue for an exhibition commemorating the first exhibition of contemporary Inuit art, presented ...
Catalogue for a group exhibition - consisting of more than 150 works by regional, Canadian, internat...
The exhibition of work by Jim Logan, A Question of Ideals, is one of many native art exhibitions org...
Catalogue to accompany an exhibition comprised of works by six emerging Aboriginal artists from Sask...
This catalogue documents an exhibition of 44 works on paper from the Kamloops Art Gallery’s permanen...
Catalogue to accompany an exhibition in which eight artists were asked to produce site-specific work...
Nemiroff documents the Native art collections of the National Gallery of Canada and provides a chron...
This publication is an extension of “Promote/Exhibit/Document” (1997), an exhibition curated by Wawz...
Catalogue to accompany an exhibition of installations by four contemporary First Nations artists. Hi...
The jurors discuss the problem of imposing a jury onto something as personal as artmaking. Biographi...
Originating from a series of workshops held at the Art Gallery of Ontario and the Vancouver Art Gall...
For decades, Indigenous art, artifacts and objects have had a contested history within galleries and...
The author describes the history of the gallery and its collection since 1959. Biographical notes on...
Under the 1990 federal Museums Act, the National Gallery of Canada has a specific mandate to "preser...
Canadian art galleries have long been criticized for their poor inclusion of First Nations art, espe...
Catalogue for an exhibition commemorating the first exhibition of contemporary Inuit art, presented ...
Catalogue for a group exhibition - consisting of more than 150 works by regional, Canadian, internat...
The exhibition of work by Jim Logan, A Question of Ideals, is one of many native art exhibitions org...
Catalogue to accompany an exhibition comprised of works by six emerging Aboriginal artists from Sask...
This catalogue documents an exhibition of 44 works on paper from the Kamloops Art Gallery’s permanen...
Catalogue to accompany an exhibition in which eight artists were asked to produce site-specific work...
Nemiroff documents the Native art collections of the National Gallery of Canada and provides a chron...
This publication is an extension of “Promote/Exhibit/Document” (1997), an exhibition curated by Wawz...
Catalogue to accompany an exhibition of installations by four contemporary First Nations artists. Hi...
The jurors discuss the problem of imposing a jury onto something as personal as artmaking. Biographi...
Originating from a series of workshops held at the Art Gallery of Ontario and the Vancouver Art Gall...
For decades, Indigenous art, artifacts and objects have had a contested history within galleries and...
The author describes the history of the gallery and its collection since 1959. Biographical notes on...
Under the 1990 federal Museums Act, the National Gallery of Canada has a specific mandate to "preser...
Canadian art galleries have long been criticized for their poor inclusion of First Nations art, espe...
Catalogue for an exhibition commemorating the first exhibition of contemporary Inuit art, presented ...