Patten's interpretation of Merritt's two part exhibition - which consisted of one gallery with independent installations and another with interrelated works - focuses on material and temporal aspects of language, as well as tensions between the systematic ordering of culture and the fluidity of nature. Laing's elliptical analysis of the artist's work - drawings composed of small sticks pinned to the gallery wall - incorporates lengthy quotations of the following: Bataille (the body), Benjamin (trace), Debord (dérive), de Certeau (walking the city), Derrida (metaphor) and Handke (threshold). Includes list of works. Biographical notes. 15 bibl. ref
“Duction” is a collaboration between Thériault and Tomas, an exhibition in book form. Tomas periodic...
"These drawings investigate accumulation, time (duration), gesture, intimacy and the trace ...
Osterwold inquires into the essence - the physical and organic properties and figurative meaning - o...
Patten's interpretation of Merritt's two part exhibition - which consisted of one gallery with indep...
Varga's essay discusses Merritt's installation as a work exploring the functioning of an art gallery...
Catalogue of an exhibition consisting of sculptures by Nova Scotia artists Delva, Gill and Greer. To...
This exhibition catalogue focuses on the multidisciplinary aspect of David’s art practice (painting,...
Three short essays and an interview augment the presentation of Mark’s work in this catalogue for th...
Tracing the evolution of de Kergommeaux's painting from early abstraction to grid-based imagery, and...
One of two major essays in the two volume catalogue of the recent work of the Belgian artist Jan de ...
Basing his reflection on the thoughts of Barthes and Lyotard, Marcus Miller links David Miller's wor...
Invited by Tate Britain to select works from the collection and develop a concept for this exhibitio...
Presented in script form, Clarkson's statement incorporates references from art historical texts by ...
This publication is a detailed collection of writings from over three decades of my work, selected a...
thesisMaster of ArtsArt/Art HistoryExhibiting work has to do with communication. Like the Berkeley ...
“Duction” is a collaboration between Thériault and Tomas, an exhibition in book form. Tomas periodic...
"These drawings investigate accumulation, time (duration), gesture, intimacy and the trace ...
Osterwold inquires into the essence - the physical and organic properties and figurative meaning - o...
Patten's interpretation of Merritt's two part exhibition - which consisted of one gallery with indep...
Varga's essay discusses Merritt's installation as a work exploring the functioning of an art gallery...
Catalogue of an exhibition consisting of sculptures by Nova Scotia artists Delva, Gill and Greer. To...
This exhibition catalogue focuses on the multidisciplinary aspect of David’s art practice (painting,...
Three short essays and an interview augment the presentation of Mark’s work in this catalogue for th...
Tracing the evolution of de Kergommeaux's painting from early abstraction to grid-based imagery, and...
One of two major essays in the two volume catalogue of the recent work of the Belgian artist Jan de ...
Basing his reflection on the thoughts of Barthes and Lyotard, Marcus Miller links David Miller's wor...
Invited by Tate Britain to select works from the collection and develop a concept for this exhibitio...
Presented in script form, Clarkson's statement incorporates references from art historical texts by ...
This publication is a detailed collection of writings from over three decades of my work, selected a...
thesisMaster of ArtsArt/Art HistoryExhibiting work has to do with communication. Like the Berkeley ...
“Duction” is a collaboration between Thériault and Tomas, an exhibition in book form. Tomas periodic...
"These drawings investigate accumulation, time (duration), gesture, intimacy and the trace ...
Osterwold inquires into the essence - the physical and organic properties and figurative meaning - o...