On the occasion of the first exhibition of a trilogy that focuses on the representation of the human body in relation to the development of media, Johnson reflects on the printing technique, its historical impact on the practices of writing and drawing, and its influence on contemporary production. The author elaborates on the works of four artists by considering drawings of the body (anatomical and artistic), notions of authorship and mediatization, and the skin as metaphor. Biographical notes
This thesis examines how cutting altered and reshaped the relation between image and body in early m...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
This research investigates through practice, the potential of the primary hand made print in an age ...
On the occasion of the first exhibition of a trilogy that focuses on the representation of the human...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
Writting my degree paper I originated from the body, its fragility, sensitivity and vulnerability. T...
The paper studies the nature of artistic collaboration, concentrating on Fine Art Printmaking and th...
During the second half of the sixteenth century, engraved series of allegorical subjects featuring p...
This paper will consider the relationship of print to the transmission of ideas through the multiple...
This material has been accepted for publication by Cambridge University Press, and a revised form wi...
The creative work presented for examination deals with my made mark as memorialisation of my body wi...
Contemporary interest in artists’ printed ephemera and the restaging of historic exhibitions from th...
During the second half of the sixteenth century, engraved series of allegorical subjects featuring p...
The research question explored in this exhibition and dissertation was to review the conventional no...
This thesis examines how cutting altered and reshaped the relation between image and body in early m...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
This research investigates through practice, the potential of the primary hand made print in an age ...
On the occasion of the first exhibition of a trilogy that focuses on the representation of the human...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
Writting my degree paper I originated from the body, its fragility, sensitivity and vulnerability. T...
The paper studies the nature of artistic collaboration, concentrating on Fine Art Printmaking and th...
During the second half of the sixteenth century, engraved series of allegorical subjects featuring p...
This paper will consider the relationship of print to the transmission of ideas through the multiple...
This material has been accepted for publication by Cambridge University Press, and a revised form wi...
The creative work presented for examination deals with my made mark as memorialisation of my body wi...
Contemporary interest in artists’ printed ephemera and the restaging of historic exhibitions from th...
During the second half of the sixteenth century, engraved series of allegorical subjects featuring p...
The research question explored in this exhibition and dissertation was to review the conventional no...
This thesis examines how cutting altered and reshaped the relation between image and body in early m...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
This research investigates through practice, the potential of the primary hand made print in an age ...