A retrospective of Hurtubise's work from the 1960s to the 1990s. While Graham gives a decade-by-decade account of the artist's itinerary, Gagnon analyses and contextualizes his production by drawing attention to its formal aspects (symmetry, the blot, the splash) and its technical ones (the paint roller, the grid, the stencil). Among themes addressed : cerebrality / spontaneity, the influence of New York, China and Pop Art. Includes quotations from the artist. Elaborate biographical notes. Circa 140 bibl. ref
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...
Van Bruggen gives an overview of Baldessari's career, with reference to his conceptual works of the ...
Noting comments by American critics about painting in Toronto, Tousley elaborates on formal characte...
A retrospective of Hurtubise's work from the 1960s to the 1990s. While Graham gives a decade-by-deca...
Interspersing her text with quotes form an interview with the artist, Farrell-Ward surveys Hurtubise...
Shee traces Hurtubise's career, noting his evolving commitment to abstract expressionist painting. B...
Gagnon's chronological examination of Hurtubise's black and white paintings focuses on the "fundamen...
Catalogue for a retrospective exhibition of Gagnon's work since the 1950s. The three authors maintai...
Lussier considers Lacasse’s production from 1992 to 2002, describing the painter’s use of colour, mo...
This catalogue accompanies a retrospective exhibition of Kennedy’s practice extending from 1967 to 1...
Chevrier offers a survey of this French artist's photographs and objects made between 1970 and 1992,...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
Memory plays a profound role in the aesthetic philosophy and still-life painting of French Symbolist...
Nemiroff studies the development of the work of three 1960s American artists by looking at nine work...
Bellet outlines Riopelle's visual development (styles, techniques and materials) in eight periods sp...
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...
Van Bruggen gives an overview of Baldessari's career, with reference to his conceptual works of the ...
Noting comments by American critics about painting in Toronto, Tousley elaborates on formal characte...
A retrospective of Hurtubise's work from the 1960s to the 1990s. While Graham gives a decade-by-deca...
Interspersing her text with quotes form an interview with the artist, Farrell-Ward surveys Hurtubise...
Shee traces Hurtubise's career, noting his evolving commitment to abstract expressionist painting. B...
Gagnon's chronological examination of Hurtubise's black and white paintings focuses on the "fundamen...
Catalogue for a retrospective exhibition of Gagnon's work since the 1950s. The three authors maintai...
Lussier considers Lacasse’s production from 1992 to 2002, describing the painter’s use of colour, mo...
This catalogue accompanies a retrospective exhibition of Kennedy’s practice extending from 1967 to 1...
Chevrier offers a survey of this French artist's photographs and objects made between 1970 and 1992,...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
Memory plays a profound role in the aesthetic philosophy and still-life painting of French Symbolist...
Nemiroff studies the development of the work of three 1960s American artists by looking at nine work...
Bellet outlines Riopelle's visual development (styles, techniques and materials) in eight periods sp...
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...
Van Bruggen gives an overview of Baldessari's career, with reference to his conceptual works of the ...
Noting comments by American critics about painting in Toronto, Tousley elaborates on formal characte...