Add to ORKGA catalogue documenting installations and related works by Forster which were made between 1990-96. The artist's introductory text calls attention to his preoccupation with memory, voice, expression and identity. The improvisational and performative aspects of his "on-site" works are also discussed. Biographical notes. 25 bibl. ref
The article aims at charting the position of Edward Morgan Forster and his works in contemporary Eng...
Catalogue for an exhibition of Boyer’s engraved sculptural works. Lussier’s text traces the artist’s...
In a large spiral bound bookwork, Canadian artist Forster uses a collage of photographic images and ...
A catalogue documenting installations and related works by Forster which were made between 1990-96. ...
Forster suggests that by drawing the triangular relationship between viewer, artist and artwork into...
Describing Forster's fictional biographies, retrospectives, reviews and originals, Folland elaborate...
"...Forster's new work, “Mouth”, shown here for the first time is a strange room-within-a-room const...
In this booklet designed by both authors, Forster characterizes several of Huebner's sculptures and ...
Wagner offers a biographical account and Teufler relates the artist's work to language. In interview...
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
Catalogue to accompany an exhibition comprised of three installations by Miller: “Papa” (1995), “Cho...
This article reveals Forster's views on the cinema, arguing his perspective was clearly not an immut...
Critically annotated catalogue entries describe in detail Collyer's installations produced between 1...
Forster appropriates a catalogue on Jannis Kounellis produced in 1981 by the Stedelijk Van Abbemuseu...
This catalogue documents sculptural installations, sound works and performances produced by Olson be...
The article aims at charting the position of Edward Morgan Forster and his works in contemporary Eng...
Catalogue for an exhibition of Boyer’s engraved sculptural works. Lussier’s text traces the artist’s...
In a large spiral bound bookwork, Canadian artist Forster uses a collage of photographic images and ...
A catalogue documenting installations and related works by Forster which were made between 1990-96. ...
Forster suggests that by drawing the triangular relationship between viewer, artist and artwork into...
Describing Forster's fictional biographies, retrospectives, reviews and originals, Folland elaborate...
"...Forster's new work, “Mouth”, shown here for the first time is a strange room-within-a-room const...
In this booklet designed by both authors, Forster characterizes several of Huebner's sculptures and ...
Wagner offers a biographical account and Teufler relates the artist's work to language. In interview...
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
Catalogue to accompany an exhibition comprised of three installations by Miller: “Papa” (1995), “Cho...
This article reveals Forster's views on the cinema, arguing his perspective was clearly not an immut...
Critically annotated catalogue entries describe in detail Collyer's installations produced between 1...
Forster appropriates a catalogue on Jannis Kounellis produced in 1981 by the Stedelijk Van Abbemuseu...
This catalogue documents sculptural installations, sound works and performances produced by Olson be...
The article aims at charting the position of Edward Morgan Forster and his works in contemporary Eng...
Catalogue for an exhibition of Boyer’s engraved sculptural works. Lussier’s text traces the artist’s...
In a large spiral bound bookwork, Canadian artist Forster uses a collage of photographic images and ...