Add to ORKGIn this book to accompany an exhibition at Presentation House Gallery, White examines the representational conventions of postwar scenic postcards from British Columbia. His analysis focuses on the ideological motives underlying photographic representations of landscape, leisure activities, urban centres and industry. He also considers the concept of nature in relation to romanticism, modern aesthetics and economics. Biographical notes. 48 bibl. ref
none1noThis essay approaches Flexi’s paintings as ‘imaginary postcards’ designing an ideal map of a ...
This paper was delivered at the World Leisure Association Congress in Quebec city, October 2008.. My...
This major catalogue for an exhibition composed of approximately ninety works by forty-one contempor...
In his examination of landscape painting by four Canadians, White deals with aspects of our current ...
For an exhibition of works portraying British Columbia for tourists, immigrants, business, etc. , O'...
This thesis argues that landscapes are products of language, that the meaning of a landscape depend...
The conference included a section on Travel and Tourism, in which the paper was presented along with...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
Catalogue of an exhibition that traces Vancouver's urban development from the late 1950s-60s by juxt...
With their cumbersome equipment and refractory technology, professional photographers recorded pione...
A study of early 20th century postcards and the way they were used to represent colonial possessions...
Identifying pictorialism as the popular aesthetic movement in photography in postwar Vancouver, gues...
Wilderness and multiculturalism are frequently invoked as central features of the official national ...
Under Colonial Copyright Law, the British Museum Library acquired a substantial collection of Cana...
This is an exploratory study of the social construction of tourist images of Vancouver, British Colu...
none1noThis essay approaches Flexi’s paintings as ‘imaginary postcards’ designing an ideal map of a ...
This paper was delivered at the World Leisure Association Congress in Quebec city, October 2008.. My...
This major catalogue for an exhibition composed of approximately ninety works by forty-one contempor...
In his examination of landscape painting by four Canadians, White deals with aspects of our current ...
For an exhibition of works portraying British Columbia for tourists, immigrants, business, etc. , O'...
This thesis argues that landscapes are products of language, that the meaning of a landscape depend...
The conference included a section on Travel and Tourism, in which the paper was presented along with...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
Catalogue of an exhibition that traces Vancouver's urban development from the late 1950s-60s by juxt...
With their cumbersome equipment and refractory technology, professional photographers recorded pione...
A study of early 20th century postcards and the way they were used to represent colonial possessions...
Identifying pictorialism as the popular aesthetic movement in photography in postwar Vancouver, gues...
Wilderness and multiculturalism are frequently invoked as central features of the official national ...
Under Colonial Copyright Law, the British Museum Library acquired a substantial collection of Cana...
This is an exploratory study of the social construction of tourist images of Vancouver, British Colu...
none1noThis essay approaches Flexi’s paintings as ‘imaginary postcards’ designing an ideal map of a ...
This paper was delivered at the World Leisure Association Congress in Quebec city, October 2008.. My...
This major catalogue for an exhibition composed of approximately ninety works by forty-one contempor...