Add to ORKGAnalysing Goodwin's drawings since the early 1980s, Richmond explores the emotional intensity that pervades the work while devoting particular attention to the "Swimmer Series". Biographical notes. 1 bibl. ref
Title devised from accompanying information where available.; Part of the: Fairfax archive of glass ...
Defining the history and role of the Goddess or the sacred feminine, the authors interpret Poole's w...
Hoskins outlines Wainwright's training and work from 1917 to 1980, beginning with early figurative w...
Analysing Goodwin's drawings since the early 1980s, Richmond explores the emotional intensity that p...
In a reprinted text, Landry discusses drawings from Goodwin's "Swimmers" series (1983). Biographical...
In an essay interspersed with statements by the artist, Scott documents Goodwin's recent focus on th...
Racine explores the complex and paradoxical articulation of Goodwin's works in terms of transparency...
Bradley describes Goodwin's work as offering a hesitant, incomplete picture and without definite ans...
Catalogue produced to coincide with Goodwin's representation of the Sao Paulo Biennale. Focusing on ...
This major publication traces the development of Goodwin's printmaking from 1950-1990, and focuses o...
Title devised from accompanying information where available.; Part of the: Fairfax archive of glass ...
Title devised from accompanying information where available.; Part of the: Fairfax archive of glass ...
Title devised from accompanying information where available.; Part of the: Fairfax archive of glass ...
Title devised from accompanying information where available.; Part of the: Fairfax archive of glass ...
Arnold describes the development of Duck's non-objective paintings from early figurative prints and ...
Title devised from accompanying information where available.; Part of the: Fairfax archive of glass ...
Defining the history and role of the Goddess or the sacred feminine, the authors interpret Poole's w...
Hoskins outlines Wainwright's training and work from 1917 to 1980, beginning with early figurative w...
Analysing Goodwin's drawings since the early 1980s, Richmond explores the emotional intensity that p...
In a reprinted text, Landry discusses drawings from Goodwin's "Swimmers" series (1983). Biographical...
In an essay interspersed with statements by the artist, Scott documents Goodwin's recent focus on th...
Racine explores the complex and paradoxical articulation of Goodwin's works in terms of transparency...
Bradley describes Goodwin's work as offering a hesitant, incomplete picture and without definite ans...
Catalogue produced to coincide with Goodwin's representation of the Sao Paulo Biennale. Focusing on ...
This major publication traces the development of Goodwin's printmaking from 1950-1990, and focuses o...
Title devised from accompanying information where available.; Part of the: Fairfax archive of glass ...
Title devised from accompanying information where available.; Part of the: Fairfax archive of glass ...
Title devised from accompanying information where available.; Part of the: Fairfax archive of glass ...
Title devised from accompanying information where available.; Part of the: Fairfax archive of glass ...
Arnold describes the development of Duck's non-objective paintings from early figurative prints and ...
Title devised from accompanying information where available.; Part of the: Fairfax archive of glass ...
Defining the history and role of the Goddess or the sacred feminine, the authors interpret Poole's w...
Hoskins outlines Wainwright's training and work from 1917 to 1980, beginning with early figurative w...