Add to ORKGFive essays, dedicated to the work of the late Ontario painter Martyn, interrogate the artist's approach to portraiture and the creation of persona, and her overall legacy to painting. Includes a personal, anecdotal essay by Frenkel. Biographical notes
Ring writes a biographical sketch of a long-standing figure in the Saskatoon arts community, Eva Men...
Marzolf analyzes Lenhardt's painting of Ukrainian pioneers, landscapes, and other images from her ea...
This essay is a study of Sharon Pollock's artist characters. Using concepts drawn from contemporary ...
Ottawa artist Davison began painting in 1962, coming from a background in theatre. Her work incorpor...
Rinder describes Canadian-born Martin's recent formalist paintings. Richmond's essay fuses elements ...
This catalogue/monograph, to accompany an exhibition of Falk’s work from the 1960s to the present, c...
Tuele outlines Jorgensen's development as a painter and printmaker whose abstract images are derived...
Tracey Emin is one of the best- known current British artists. Her art is essentially autobiographic...
On the occasion of a retrospective of the late German-American painter Hesse, Kozloff provides a lon...
A catalogue of Wieland's retrospective exhibition assembling works from the 60's and 70's in such di...
Burton discusses his life, the Toronto art scene in the 1950s and 1960s, and the influences on his w...
Fabo's and Dean's essays on the posthumous exhibition of work by Toronto painter Wilson address issu...
Includes a revisionist essay which positions Munn and Taçon into the context of a Canadian art histo...
Shuebrook surveys Metson's career from before his arrival in Canada in 1968, noting the sources and ...
This book is a collection of one hundred and twenty-three statements and thoughts from across twenty...
Ring writes a biographical sketch of a long-standing figure in the Saskatoon arts community, Eva Men...
Marzolf analyzes Lenhardt's painting of Ukrainian pioneers, landscapes, and other images from her ea...
This essay is a study of Sharon Pollock's artist characters. Using concepts drawn from contemporary ...
Ottawa artist Davison began painting in 1962, coming from a background in theatre. Her work incorpor...
Rinder describes Canadian-born Martin's recent formalist paintings. Richmond's essay fuses elements ...
This catalogue/monograph, to accompany an exhibition of Falk’s work from the 1960s to the present, c...
Tuele outlines Jorgensen's development as a painter and printmaker whose abstract images are derived...
Tracey Emin is one of the best- known current British artists. Her art is essentially autobiographic...
On the occasion of a retrospective of the late German-American painter Hesse, Kozloff provides a lon...
A catalogue of Wieland's retrospective exhibition assembling works from the 60's and 70's in such di...
Burton discusses his life, the Toronto art scene in the 1950s and 1960s, and the influences on his w...
Fabo's and Dean's essays on the posthumous exhibition of work by Toronto painter Wilson address issu...
Includes a revisionist essay which positions Munn and Taçon into the context of a Canadian art histo...
Shuebrook surveys Metson's career from before his arrival in Canada in 1968, noting the sources and ...
This book is a collection of one hundred and twenty-three statements and thoughts from across twenty...
Ring writes a biographical sketch of a long-standing figure in the Saskatoon arts community, Eva Men...
Marzolf analyzes Lenhardt's painting of Ukrainian pioneers, landscapes, and other images from her ea...
This essay is a study of Sharon Pollock's artist characters. Using concepts drawn from contemporary ...