Add to ORKGStack's short essay on McWilliams' photo-based prints with bees wax brings to light the artist's challenge to traditionally clean white mat photography. Biographical notes
Wallace describes the general decline of painting in the 1960s and the 1970s and situates MacWilliam...
In his preface, artist MacWilliam identifies this "notebook" of ink and pencil drawings (1976-1983) ...
White spots on smoke rings by Bruce Nauman: microanalytical study of a contemporary artwor
Stack's short essay on McWilliams' photo-based prints with bees wax brings to light the artist's cha...
Burkhardt briefly discusses the print-metal works of the Vancouver artist McWilliams, especially wit...
Bellerby describes recurrent elements in McWilliams' constructions, focusing on the sculptuor's 1981...
1996Purchased for the Camosun College Art Collection by the Camosun College Cultural Enhancement Com...
The text by curator Elving, identifies archetypal shapes in MacWilliams' abstract paintings, and in ...
Silcox' reminisces about his frienship with Morris, while MacWilliam surveys the artist's work and h...
According to Fraser, McCollum's "Plaster Surrogates" question the concepts of artistic production, a...
The first major retrospective of the work of the Trinidadian textiles artist and designer Althea Mc...
McNairn provides a brief introduction to Adams' realist paintings. Statement by the artist. Biograph...
Artist Tamasauskas views the wide range of papers and procedures available as both a creative stimul...
Phillips discusses Ringness' prints and his experience as a master printer in relation to his materi...
Poser considers the implications of simultaneous multiple representations in Wood's photographic com...
Wallace describes the general decline of painting in the 1960s and the 1970s and situates MacWilliam...
In his preface, artist MacWilliam identifies this "notebook" of ink and pencil drawings (1976-1983) ...
White spots on smoke rings by Bruce Nauman: microanalytical study of a contemporary artwor
Stack's short essay on McWilliams' photo-based prints with bees wax brings to light the artist's cha...
Burkhardt briefly discusses the print-metal works of the Vancouver artist McWilliams, especially wit...
Bellerby describes recurrent elements in McWilliams' constructions, focusing on the sculptuor's 1981...
1996Purchased for the Camosun College Art Collection by the Camosun College Cultural Enhancement Com...
The text by curator Elving, identifies archetypal shapes in MacWilliams' abstract paintings, and in ...
Silcox' reminisces about his frienship with Morris, while MacWilliam surveys the artist's work and h...
According to Fraser, McCollum's "Plaster Surrogates" question the concepts of artistic production, a...
The first major retrospective of the work of the Trinidadian textiles artist and designer Althea Mc...
McNairn provides a brief introduction to Adams' realist paintings. Statement by the artist. Biograph...
Artist Tamasauskas views the wide range of papers and procedures available as both a creative stimul...
Phillips discusses Ringness' prints and his experience as a master printer in relation to his materi...
Poser considers the implications of simultaneous multiple representations in Wood's photographic com...
Wallace describes the general decline of painting in the 1960s and the 1970s and situates MacWilliam...
In his preface, artist MacWilliam identifies this "notebook" of ink and pencil drawings (1976-1983) ...
White spots on smoke rings by Bruce Nauman: microanalytical study of a contemporary artwor