Add to ORKGBurkhardt briefly discusses the print-metal works of the Vancouver artist McWilliams, especially with regard to his choice of imagery from the book of Genesis. Biographical notes
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
MacDonald's sculptures are interpreted in terms of their relationship with space and the viewer. Bio...
Bellerby describes printmaker Shives' attachment to the British Columbia landscape and use of colour...
1996Purchased for the Camosun College Art Collection by the Camosun College Cultural Enhancement Com...
Bellerby describes recurrent elements in McWilliams' constructions, focusing on the sculptuor's 1981...
Stack's short essay on McWilliams' photo-based prints with bees wax brings to light the artist's cha...
For Thauberger, McInnes' drawings of rural Saskatchewan suggest how primitive art combines elements ...
The text by curator Elving, identifies archetypal shapes in MacWilliams' abstract paintings, and in ...
Silcox' reminisces about his frienship with Morris, while MacWilliam surveys the artist's work and h...
MacWilliam juxtaposes visual and written quotes to form an essay on the changed definition of art in...
MacWilliam discusses the surface and intimate scale of Kirton's 1979-80 paintings and the artist's u...
According to Fraser, McCollum's "Plaster Surrogates" question the concepts of artistic production, a...
Wallace discusses the work of three Vancouver-based artists, delineating their practice from a summa...
Meyers describes the history and properties of aluminium as a metal, and as an artistic medium used ...
In his preface, artist MacWilliam identifies this "notebook" of ink and pencil drawings (1976-1983) ...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
MacDonald's sculptures are interpreted in terms of their relationship with space and the viewer. Bio...
Bellerby describes printmaker Shives' attachment to the British Columbia landscape and use of colour...
1996Purchased for the Camosun College Art Collection by the Camosun College Cultural Enhancement Com...
Bellerby describes recurrent elements in McWilliams' constructions, focusing on the sculptuor's 1981...
Stack's short essay on McWilliams' photo-based prints with bees wax brings to light the artist's cha...
For Thauberger, McInnes' drawings of rural Saskatchewan suggest how primitive art combines elements ...
The text by curator Elving, identifies archetypal shapes in MacWilliams' abstract paintings, and in ...
Silcox' reminisces about his frienship with Morris, while MacWilliam surveys the artist's work and h...
MacWilliam juxtaposes visual and written quotes to form an essay on the changed definition of art in...
MacWilliam discusses the surface and intimate scale of Kirton's 1979-80 paintings and the artist's u...
According to Fraser, McCollum's "Plaster Surrogates" question the concepts of artistic production, a...
Wallace discusses the work of three Vancouver-based artists, delineating their practice from a summa...
Meyers describes the history and properties of aluminium as a metal, and as an artistic medium used ...
In his preface, artist MacWilliam identifies this "notebook" of ink and pencil drawings (1976-1983) ...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
MacDonald's sculptures are interpreted in terms of their relationship with space and the viewer. Bio...
Bellerby describes printmaker Shives' attachment to the British Columbia landscape and use of colour...