Add to ORKGReviewing Rock's forty-year career, Tuele's analysis focuses on the realist painter's technical proficiency. Biographical notes
The author analyzes Hedrick's preparatory drawings and describes the artist's painting as exploiting...
Carpenter reflects on the influences and personal vision in Christie's paintings. Biographical notes...
[Extract] Percy Trezise (1923-2005), who became a pioneer of Australian rock art research, was born ...
Reviewing Rock's forty-year career, Tuele's analysis focuses on the realist painter's technical prof...
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...
Examining Hanson's realist sculptures since the 1960s, Livingstone comments on the artist's sense fo...
Commemoration of 30 years of work by Ryman (1958-1988) including two interviews with the artist as w...
Armstrong contributes an analysis of Roe’s painting practice and its evolution from the 1980s until ...
Reflecting on James' photographic oeuvre, Rhodes positions the artist within the postmodern arena. I...
For this retrospective exhibition, Zemans traces the development of Pratt's realist paintings from t...
Analysing the subject matter and form of Zuck's paintings, Dompierre interprets his images as visual...
Rodman analyses Prince's sculptures, revealing how he uses metaphor, analogy, synecdoche and illusio...
Tilroe examines the dichotomies in Richter's paintings between abstraction and figuration and betwee...
Gascon analyses how Robert's work draws from the expressive possibilities of painting; the author li...
Lindberg traces Young's painting career between 1974 and 1984, emphasizing his transition from an ec...
The author analyzes Hedrick's preparatory drawings and describes the artist's painting as exploiting...
Carpenter reflects on the influences and personal vision in Christie's paintings. Biographical notes...
[Extract] Percy Trezise (1923-2005), who became a pioneer of Australian rock art research, was born ...
Reviewing Rock's forty-year career, Tuele's analysis focuses on the realist painter's technical prof...
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...
Examining Hanson's realist sculptures since the 1960s, Livingstone comments on the artist's sense fo...
Commemoration of 30 years of work by Ryman (1958-1988) including two interviews with the artist as w...
Armstrong contributes an analysis of Roe’s painting practice and its evolution from the 1980s until ...
Reflecting on James' photographic oeuvre, Rhodes positions the artist within the postmodern arena. I...
For this retrospective exhibition, Zemans traces the development of Pratt's realist paintings from t...
Analysing the subject matter and form of Zuck's paintings, Dompierre interprets his images as visual...
Rodman analyses Prince's sculptures, revealing how he uses metaphor, analogy, synecdoche and illusio...
Tilroe examines the dichotomies in Richter's paintings between abstraction and figuration and betwee...
Gascon analyses how Robert's work draws from the expressive possibilities of painting; the author li...
Lindberg traces Young's painting career between 1974 and 1984, emphasizing his transition from an ec...
The author analyzes Hedrick's preparatory drawings and describes the artist's painting as exploiting...
Carpenter reflects on the influences and personal vision in Christie's paintings. Biographical notes...
[Extract] Percy Trezise (1923-2005), who became a pioneer of Australian rock art research, was born ...