Topics
biblAgent
Migayrou provides a comprehensive examination of the immanence of the figure in Balkenhol's wooden sculptures, contextualized within the modernist tradition. In an interview, the artist articulates his intent and process. Biographical notes. 19 bibl. ref
Baster describes the artist's use of industrial found objects and situates the resulting sculptures ...
Mihalcean explains his approach to sculpture while Denée offers a poetic interpretation of his paint...
Smith analyzes Judd's use of colour, line, and volume to articulate the separate and distinct spaces...
Lingwood analyzes Balkenhol's "outdoor" sculptures' paradoxical nature and status as statues/monumen...
The interview with the artist touches on the notions of metaphor, immateriality and secrecy. The wor...
Kuspit investigates the tensions in Wood's pairing of painterly gestures and photography and the res...
Lydia BEERKENS [& oth.] with support of SMBK, RCE and the University of Amsterdam,2013 ISBN 978-9...
thesisMaster of ArtsArt/Art HistoryExhibiting work has to do with communication. Like the Berkeley ...
Dewdney describes the formal qualities of Groombridge's steel sculpture and elaborates on its meanin...
Perry views Wood's explorations of the structure of British Columbia landscape art as symptomatic of...
Examining Lallemand's sculpture from 1986 to 1993, Huitorel equates the matching of states of the bo...
Refering to Allain's steel paintings as "interrogatory objects" invested with a "sculptural persona"...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
Swain's brief introduction to Rains sculptural works features excerpts from an interview with the ar...
This publication was made to accompany a retrospective exhibition of works by American-born furnitur...
Baster describes the artist's use of industrial found objects and situates the resulting sculptures ...
Mihalcean explains his approach to sculpture while Denée offers a poetic interpretation of his paint...
Smith analyzes Judd's use of colour, line, and volume to articulate the separate and distinct spaces...
Lingwood analyzes Balkenhol's "outdoor" sculptures' paradoxical nature and status as statues/monumen...
The interview with the artist touches on the notions of metaphor, immateriality and secrecy. The wor...
Kuspit investigates the tensions in Wood's pairing of painterly gestures and photography and the res...
Lydia BEERKENS [& oth.] with support of SMBK, RCE and the University of Amsterdam,2013 ISBN 978-9...
thesisMaster of ArtsArt/Art HistoryExhibiting work has to do with communication. Like the Berkeley ...
Dewdney describes the formal qualities of Groombridge's steel sculpture and elaborates on its meanin...
Perry views Wood's explorations of the structure of British Columbia landscape art as symptomatic of...
Examining Lallemand's sculpture from 1986 to 1993, Huitorel equates the matching of states of the bo...
Refering to Allain's steel paintings as "interrogatory objects" invested with a "sculptural persona"...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
Swain's brief introduction to Rains sculptural works features excerpts from an interview with the ar...
This publication was made to accompany a retrospective exhibition of works by American-born furnitur...
Baster describes the artist's use of industrial found objects and situates the resulting sculptures ...
Mihalcean explains his approach to sculpture while Denée offers a poetic interpretation of his paint...
Smith analyzes Judd's use of colour, line, and volume to articulate the separate and distinct spaces...
Add to ORKG