Boyanoski provides an indepth examination of the life and work of Loring (1887-1968) and Wyle (1881-1968) within the context of Canadian academic sculpture, highlighting the sculptors' public monuments and commissions. Includes notes on technique and conservation of the Collection at the Art Gallery of Ontario. Bibl. 7 p
The authors detail the process of casting statues and traces the history of Montreal monuments from ...
The work of ten contemporary Canadian sculptors is analyzed. Issues of abstraction and body-related ...
Fraser stresses the political relevance and spiritualism of outdoor, site-related, installation work...
Boyanoski provides an indepth examination of the life and work of Loring (1887-1968) and Wyle (1881-...
Wilkin discusses the influence of cubist collage on the material and visual concerns of 20th century...
A major publication made to accompany a touring exhibition of works by 21 Canadian-based artists who...
Hickey outlines the history of the Studio Glass Movement in Canada and focuses on the resources avai...
This thesis seeks firstly to provide an overview of the life and work of the Scottish sculptor and ...
Carpenter explores the many facets of this British sculptor's work, including his relationship to Ca...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Wilkin outlines the history and objectives of the Westburne corporation's collection of contemporary...
Presentation of works by five Ontario artists whose works respond to the inside gallery space and th...
Quine reviews the work of the self-taught sculptor, while recounting the artist's early career and t...
Withrow considers events which have contributed to the development of Canadian sculpture for this ex...
Following a brief survey of the history of portrait painting, Schwartz considers painters who have l...
The authors detail the process of casting statues and traces the history of Montreal monuments from ...
The work of ten contemporary Canadian sculptors is analyzed. Issues of abstraction and body-related ...
Fraser stresses the political relevance and spiritualism of outdoor, site-related, installation work...
Boyanoski provides an indepth examination of the life and work of Loring (1887-1968) and Wyle (1881-...
Wilkin discusses the influence of cubist collage on the material and visual concerns of 20th century...
A major publication made to accompany a touring exhibition of works by 21 Canadian-based artists who...
Hickey outlines the history of the Studio Glass Movement in Canada and focuses on the resources avai...
This thesis seeks firstly to provide an overview of the life and work of the Scottish sculptor and ...
Carpenter explores the many facets of this British sculptor's work, including his relationship to Ca...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Wilkin outlines the history and objectives of the Westburne corporation's collection of contemporary...
Presentation of works by five Ontario artists whose works respond to the inside gallery space and th...
Quine reviews the work of the self-taught sculptor, while recounting the artist's early career and t...
Withrow considers events which have contributed to the development of Canadian sculpture for this ex...
Following a brief survey of the history of portrait painting, Schwartz considers painters who have l...
The authors detail the process of casting statues and traces the history of Montreal monuments from ...
The work of ten contemporary Canadian sculptors is analyzed. Issues of abstraction and body-related ...
Fraser stresses the political relevance and spiritualism of outdoor, site-related, installation work...