Add to ORKGTwo texts examine notions of transparency, memory, and the space between meaning and musicality in Favre's work. In an interview, the artist elaborates on meanings inherent in her paintings and multi-media installations. Includes a compact disc of her complete sound works. Biographical notes. 20 bibl. ref
Le cinéma d’animation est passionnant grâce à l’éventail des possibilités créatrices qu’il offre aux...
Silverstein and Tyrell consider the visual and tactile nature of Schafer's musical scores and sound ...
Kivland read unsolicited ‘encounter’ emails as if they were intended for her alone in a sincere desi...
Two texts examine notions of transparency, memory, and the space between meaning and musicality in F...
In honour of Tourangeau’s 20-year practice, this catalogue documents an exhibition comprised of “dyn...
Three essays approach Bélanger's video and light-box installations through the concepts of place, th...
This study of Gabriel Faure and his circle reconstructs the meanings of aesthetic categories crucial...
Catalogue for an exhibition that travelled to Joliette (Qc.), Oakville and London (Ont.) in 2001, wi...
The work of Valérie Mréjen is characterized by the presence of a diffused and very discreet autobiog...
his wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial...
In a catalogue documenting Alloucherie's production since the 1970s, Gosselin links the relationship...
Mémoire D.U Art, danse et performance. 2012 "Chambres avec vues : transmettre et ressentir" de Sylvi...
Weber Edith. Gabriel Faure, L'œuvre pour violon et piano, ARION, ARN 50591. In: Cahiers de sociologi...
In an analysis of the fluid nature of notions surrounding architecture, history, and time, Kivland p...
Parent briefly considers seven Quebec artist's works as extensions towards various media (sculpture,...
Le cinéma d’animation est passionnant grâce à l’éventail des possibilités créatrices qu’il offre aux...
Silverstein and Tyrell consider the visual and tactile nature of Schafer's musical scores and sound ...
Kivland read unsolicited ‘encounter’ emails as if they were intended for her alone in a sincere desi...
Two texts examine notions of transparency, memory, and the space between meaning and musicality in F...
In honour of Tourangeau’s 20-year practice, this catalogue documents an exhibition comprised of “dyn...
Three essays approach Bélanger's video and light-box installations through the concepts of place, th...
This study of Gabriel Faure and his circle reconstructs the meanings of aesthetic categories crucial...
Catalogue for an exhibition that travelled to Joliette (Qc.), Oakville and London (Ont.) in 2001, wi...
The work of Valérie Mréjen is characterized by the presence of a diffused and very discreet autobiog...
his wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial...
In a catalogue documenting Alloucherie's production since the 1970s, Gosselin links the relationship...
Mémoire D.U Art, danse et performance. 2012 "Chambres avec vues : transmettre et ressentir" de Sylvi...
Weber Edith. Gabriel Faure, L'œuvre pour violon et piano, ARION, ARN 50591. In: Cahiers de sociologi...
In an analysis of the fluid nature of notions surrounding architecture, history, and time, Kivland p...
Parent briefly considers seven Quebec artist's works as extensions towards various media (sculpture,...
Le cinéma d’animation est passionnant grâce à l’éventail des possibilités créatrices qu’il offre aux...
Silverstein and Tyrell consider the visual and tactile nature of Schafer's musical scores and sound ...
Kivland read unsolicited ‘encounter’ emails as if they were intended for her alone in a sincere desi...