Add to ORKGPaul follows Cumming's works (in photography, conceptual art, "narrative art," and artist's books) since 1967, concentrating on the 1970s, the Southern Californian art scene, and the function of detail. Includes an interview with Cumming. Biographical notes. 60 bibl. ref
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
Moppett surveys Rogers' career, focusing on the artist's paintings, collages and sculptures from 197...
Boogaerts describes his work as questioning social and cultural constructions of the photographic im...
Paul follows Cumming's works (in photography, conceptual art, "narrative art," and artist's books) s...
A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s explores the artist's ...
Defining documentary photography as a discursive activity, Graham defines and critiques this genre. ...
In this publication to accompany a series of video screenings, Cumming suggests that issues of conti...
Martin Parr Photographic Work 1970 - 2000 was a retrospective exhibition curated by Val Williams, he...
Babinska refers to the history of landscape painting to contextualize Reid's work which combines pho...
Identifying sound as a photographic element, Gingras investigates its role (more specifically, that ...
In the early 1970s, New York gallerist Louis K. Meisel devised a formal set of criteria to identify ...
An interview with Combas, accompanied by a biographical essay, draws parallels between his work and ...
This retrospective of photo-journalist Curtin's work to the late 1970s emphases his documentation of...
Curator Scott situates Lum’s art (mainly photography) on the Canadian and international scenes, whil...
Commemoration of 30 years of work by Ryman (1958-1988) including two interviews with the artist as w...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
Moppett surveys Rogers' career, focusing on the artist's paintings, collages and sculptures from 197...
Boogaerts describes his work as questioning social and cultural constructions of the photographic im...
Paul follows Cumming's works (in photography, conceptual art, "narrative art," and artist's books) s...
A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s explores the artist's ...
Defining documentary photography as a discursive activity, Graham defines and critiques this genre. ...
In this publication to accompany a series of video screenings, Cumming suggests that issues of conti...
Martin Parr Photographic Work 1970 - 2000 was a retrospective exhibition curated by Val Williams, he...
Babinska refers to the history of landscape painting to contextualize Reid's work which combines pho...
Identifying sound as a photographic element, Gingras investigates its role (more specifically, that ...
In the early 1970s, New York gallerist Louis K. Meisel devised a formal set of criteria to identify ...
An interview with Combas, accompanied by a biographical essay, draws parallels between his work and ...
This retrospective of photo-journalist Curtin's work to the late 1970s emphases his documentation of...
Curator Scott situates Lum’s art (mainly photography) on the Canadian and international scenes, whil...
Commemoration of 30 years of work by Ryman (1958-1988) including two interviews with the artist as w...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
Moppett surveys Rogers' career, focusing on the artist's paintings, collages and sculptures from 197...
Boogaerts describes his work as questioning social and cultural constructions of the photographic im...