Add to ORKGIn an analysis of the artist's most recent abstract paintings, sculptures, and stage designs concerned with the articulation of space, Wilkin traces Solomon's influences and evolution. Biographical notes
Arnold outlines the development of Alexander's work, examining the interplay of formal concerns and ...
Focusing on Smith's paintings from 1985 to 1987, Wallace traces the fluctuations between abstraction...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
The text by curator Elving, identifies archetypal shapes in MacWilliams' abstract paintings, and in ...
This exhibition catalogue focuses on the multidisciplinary aspect of David’s art practice (painting,...
Wilkin traces formal transformations in Haynes' abstract paintings from the late 1960s through the 1...
Silverstein examines Wilk's figurative paintings, describing them as urban realism that show "the mu...
Rosshandler analyses the tension established between the figurative and the abstract in Villeneuve's...
Moore presents a biographical overview of the main ideas inspiring his sculptures and sketches of 19...
The author describes Templeman's painting as being informed by the theories of Abstract Expressionis...
Catalogue to accompany a touring exhibition of Urban’s abstract paintings from 1994-1999. Pagel’s de...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...
Wilkin traces Perehudoff's career, concentrating on paintings of the 1970s in which the artist refin...
Contemporary abstract artist Abraham Mashinsky was born in New Brunswick, New Jersey. Growing up sur...
In a brief statement, Wilkin traces the artist's development and links his paintings and collages to...
Arnold outlines the development of Alexander's work, examining the interplay of formal concerns and ...
Focusing on Smith's paintings from 1985 to 1987, Wallace traces the fluctuations between abstraction...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
The text by curator Elving, identifies archetypal shapes in MacWilliams' abstract paintings, and in ...
This exhibition catalogue focuses on the multidisciplinary aspect of David’s art practice (painting,...
Wilkin traces formal transformations in Haynes' abstract paintings from the late 1960s through the 1...
Silverstein examines Wilk's figurative paintings, describing them as urban realism that show "the mu...
Rosshandler analyses the tension established between the figurative and the abstract in Villeneuve's...
Moore presents a biographical overview of the main ideas inspiring his sculptures and sketches of 19...
The author describes Templeman's painting as being informed by the theories of Abstract Expressionis...
Catalogue to accompany a touring exhibition of Urban’s abstract paintings from 1994-1999. Pagel’s de...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...
Wilkin traces Perehudoff's career, concentrating on paintings of the 1970s in which the artist refin...
Contemporary abstract artist Abraham Mashinsky was born in New Brunswick, New Jersey. Growing up sur...
In a brief statement, Wilkin traces the artist's development and links his paintings and collages to...
Arnold outlines the development of Alexander's work, examining the interplay of formal concerns and ...
Focusing on Smith's paintings from 1985 to 1987, Wallace traces the fluctuations between abstraction...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...