Hanhardt analyses Gillette's video installation and points out different techniques and the use of metaphors of plants and animals. Artist's statement. Biographical notes. 5 bibl. ref
Examining video works by nine artists, Gagnon considers issues of identity, authenticity, and power ...
Revised and extented, Parent's text looks at Pellegrinuzzi's development, examining the genesis of t...
Discussing the artist's feminism and use of symbols, Jenkner examines Kriekle's assemblages with res...
Hanhardt considers how Jonas's video installation translates mythologies of popular culture and mass...
Hanhardt briefly examines Katz's concern with mimetism in an installation questioning the nature of ...
Genereux discusses the themes and techniques in Gillmore's work. Biographical notes. 23 bibl. ref
Hanhardt briefly considers two video works created by three American artists that make use of the Si...
Hanhardt underlines the presence of a moving dancer in Emshwiller's video installation. Artist's sta...
Focusing on the installation "The Allure of the Concentric", Hanhardt describes how Myers combines v...
Hanhardt delineates filmic devices used in Gehr's films such as the use of found footage, superimpos...
Hanhardt briefly examines the implications of symbols such as the Cadillac car or the drive-in movie...
Hanhardt describes the differences in how television is traditionally used by the broadcasting indus...
According to Amundson, Zamkotowich's installation ritualizes the relationship between man and nature...
Hanhardt describes Kramer's video installation "Progress (Memory)", focusing on its critical explora...
Hanhardt suggests Hall's video installation "Machinery for the Re-education of a Delinquent Dictator...
Examining video works by nine artists, Gagnon considers issues of identity, authenticity, and power ...
Revised and extented, Parent's text looks at Pellegrinuzzi's development, examining the genesis of t...
Discussing the artist's feminism and use of symbols, Jenkner examines Kriekle's assemblages with res...
Hanhardt considers how Jonas's video installation translates mythologies of popular culture and mass...
Hanhardt briefly examines Katz's concern with mimetism in an installation questioning the nature of ...
Genereux discusses the themes and techniques in Gillmore's work. Biographical notes. 23 bibl. ref
Hanhardt briefly considers two video works created by three American artists that make use of the Si...
Hanhardt underlines the presence of a moving dancer in Emshwiller's video installation. Artist's sta...
Focusing on the installation "The Allure of the Concentric", Hanhardt describes how Myers combines v...
Hanhardt delineates filmic devices used in Gehr's films such as the use of found footage, superimpos...
Hanhardt briefly examines the implications of symbols such as the Cadillac car or the drive-in movie...
Hanhardt describes the differences in how television is traditionally used by the broadcasting indus...
According to Amundson, Zamkotowich's installation ritualizes the relationship between man and nature...
Hanhardt describes Kramer's video installation "Progress (Memory)", focusing on its critical explora...
Hanhardt suggests Hall's video installation "Machinery for the Re-education of a Delinquent Dictator...
Examining video works by nine artists, Gagnon considers issues of identity, authenticity, and power ...
Revised and extented, Parent's text looks at Pellegrinuzzi's development, examining the genesis of t...
Discussing the artist's feminism and use of symbols, Jenkner examines Kriekle's assemblages with res...