Add to ORKGIn this exhibition catalogue of works by 16 American sculptors, Dreishpoon inquires into the degree of influence of natural forms on abstract sculpture. Kline contributes a short essay positing Brancusi as an important harbinger of abstract sculptural form, but also with natural influences. Biographical notes. 22 bibl. ref
The apparently distinct aesthetic values of naturalism (a fidelity to external appearance) and neocl...
Kline explains how and why contemporary artists still do abstract painting. Includes separate essays...
Fry outlines the history of sculpture in the 20th century and considers international currents in th...
Document of an exhibition of ten abstract sculptures. After a brief introduction, Kline offers a for...
The title of this exhibition, From Statues to Sculpture, su~gests the evolution of three-dimensional...
Halbreich posits Brancusi as the sole important unifying point among three American, and one Irish, ...
From the archaic funerary and sacred stones to the most recent threedimensional objects, sculpture h...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
The essayists trace developments in 20th century American sculpture under the headings of figuration...
Catalogue documenting an exhibition of abstract, wood sculptures by P.E.I. artist Fels. Artist's sta...
This publication contains papers presented at a symposium on contemporary abstract painting in New Y...
Waldman's essay traces the development of postwar Western sculpture in formal and historic terms. A ...
In my dissertation, I connected the art theory of basic elements and sculptural forms of ancient civ...
Catalog of an exhibition held at the Visual Arts Gallery, Florida International University. Essayby ...
From the archaic funerary and sacred stones to the most recent threedimensional objects, sculpture h...
The apparently distinct aesthetic values of naturalism (a fidelity to external appearance) and neocl...
Kline explains how and why contemporary artists still do abstract painting. Includes separate essays...
Fry outlines the history of sculpture in the 20th century and considers international currents in th...
Document of an exhibition of ten abstract sculptures. After a brief introduction, Kline offers a for...
The title of this exhibition, From Statues to Sculpture, su~gests the evolution of three-dimensional...
Halbreich posits Brancusi as the sole important unifying point among three American, and one Irish, ...
From the archaic funerary and sacred stones to the most recent threedimensional objects, sculpture h...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
The essayists trace developments in 20th century American sculpture under the headings of figuration...
Catalogue documenting an exhibition of abstract, wood sculptures by P.E.I. artist Fels. Artist's sta...
This publication contains papers presented at a symposium on contemporary abstract painting in New Y...
Waldman's essay traces the development of postwar Western sculpture in formal and historic terms. A ...
In my dissertation, I connected the art theory of basic elements and sculptural forms of ancient civ...
Catalog of an exhibition held at the Visual Arts Gallery, Florida International University. Essayby ...
From the archaic funerary and sacred stones to the most recent threedimensional objects, sculpture h...
The apparently distinct aesthetic values of naturalism (a fidelity to external appearance) and neocl...
Kline explains how and why contemporary artists still do abstract painting. Includes separate essays...
Fry outlines the history of sculpture in the 20th century and considers international currents in th...