Add to ORKGConsidering artists' vehicules and metaphorical machinery by three New York artists, Kardon shows how these machines defy commodification and relates them to older movements, such as Duchamp. Larson's essay addresses the individual exhibition works in detail. Brief biographical notes. 10 bibl. ref
Documents a variety of genres of work by 11 American artists which take the influence of the machine...
The articles collected in this volume from the two companion Arts Special Issues, “The Machine as Ar...
Bédard’s analysis of seven “drawing machines” by Storey (created during a 15-year period) focuses on...
In the avant-garde production of images and texts, one finds a set of aesthetic and cultural practic...
A Machine Aesthetic is a curated national touring exhibition which took place at Gallery North, Newc...
From the first daubings of pre-historic caves, through the invention of the camera obscura and ready...
A toast offered in honor of Donald Preziosi on the cusp of his seventy-fifth birthday, this essay co...
A Machine Aesthetic is a curated national touring exhibition taking place at Gallery North, Newcastl...
The essay proposes an art⁻historical contextualisation of the notion of the “machine as ...
The machine, over the course of the 20th century, progressively integrated itself into all fields of...
As art produced by autonomous machines becomes increasingly common, and as such machines grow increa...
Jessica Gondek\u27s recent drawings consider the relationship between human beings and machines - a ...
“Encountering Vito Acconci: Performing Conceptual Art circa 1970” reframes Vito Acconci’s familiar o...
Catalogue essay to accompany Remote Control exhibition at Angel Row Gallery, Nottingham. The group e...
textThis dissertation examines the cultural contexts of Jean Tinguely’s sculpture from 1955 to 1970...
Documents a variety of genres of work by 11 American artists which take the influence of the machine...
The articles collected in this volume from the two companion Arts Special Issues, “The Machine as Ar...
Bédard’s analysis of seven “drawing machines” by Storey (created during a 15-year period) focuses on...
In the avant-garde production of images and texts, one finds a set of aesthetic and cultural practic...
A Machine Aesthetic is a curated national touring exhibition which took place at Gallery North, Newc...
From the first daubings of pre-historic caves, through the invention of the camera obscura and ready...
A toast offered in honor of Donald Preziosi on the cusp of his seventy-fifth birthday, this essay co...
A Machine Aesthetic is a curated national touring exhibition taking place at Gallery North, Newcastl...
The essay proposes an art⁻historical contextualisation of the notion of the “machine as ...
The machine, over the course of the 20th century, progressively integrated itself into all fields of...
As art produced by autonomous machines becomes increasingly common, and as such machines grow increa...
Jessica Gondek\u27s recent drawings consider the relationship between human beings and machines - a ...
“Encountering Vito Acconci: Performing Conceptual Art circa 1970” reframes Vito Acconci’s familiar o...
Catalogue essay to accompany Remote Control exhibition at Angel Row Gallery, Nottingham. The group e...
textThis dissertation examines the cultural contexts of Jean Tinguely’s sculpture from 1955 to 1970...
Documents a variety of genres of work by 11 American artists which take the influence of the machine...
The articles collected in this volume from the two companion Arts Special Issues, “The Machine as Ar...
Bédard’s analysis of seven “drawing machines” by Storey (created during a 15-year period) focuses on...